Great Britain -- History -- 19th century -- Fiction; Peddlers -- Fiction; Riots -- England -- Fens, The -- Fiction
Ely possesses no manufactures, has almost no neighbourhood, stands
solitary and self-contained. On some sides it rises rapidly from the
fen, on others it slopes easily down. A singular effect is produced
when the white mists hang over the fen-land for miles and miles, and
the sun glitters on the island city. Then it is as an enchanted isle
of eternal spring, lost in a wilderness of level snow. Or again, on a
night when the auroral lights flicker over the heavens, here red, there
silvery, and against the glowing skies towers up this isle crowned with
its mighty cathedral, then, verily, it is as though it were a scene in
some fairy tale, some magic creation of Eastern fantasy.
A girl was sauntering through the wide, grass-grown streets of Ely.
During the fair the streets were full of people—nay, full is not the
word—were occupied by people more or less scattered about them. It
would take a vast throng, such as the fens of Cambridgeshire cannot
supply, to _fill_ these wide spaces.
The girl was tall and handsome, rather masculine, with a cheerful
face. She had very fair hair, a bright complexion, and eyes of a
dazzling blue—a blue as of the sea when rippling and sparkling in the
midsummer sun. She was plainly dressed in serge of dark navy blue,
with white kerchief about her neck, a chip hat-bonnet and blue ribbons
in it. Her skirts were somewhat short, they exposed neat ankles in
stockings white as snow, and strong shoes. A fen-girl must wear strong
shoes, she cannot have gloves on her feet.
'Jimminy!' said the girl, as she turned her pocket inside out. 'Not one
penny! Poor Kainie is the only girl at the fair without a sweetheart,
the only child without a fairing. No one to treat me! Nothing to be got
for nothing. Jimminy! I don't care.' Then she began to sing:—
'Last night the dogs did bark,
I went to the gate to see.
When every lass had her spark,
But nobody comes to me.
And it's Oh dear! what will become of me?
Oh dear, what shall I do?
Nobody coming to marry me,
Nobody coming to woo.
My father's a hedger and ditcher,
My mother does nothing but spin,
And I am a pretty young girl,
But the money comes slowly in'—
Then suddenly she confronted the fair-haired farmer Runham, coming out
of a tavern, with the flail over his shoulder. A little disconcerted
at encountering him, she paused in her song, but soon recovered
herself, and began again at the interrupted verse:—
'My father's a hedger and ditcher,
My mother'—
'Kainie! Are you beside yourself, singing like a ballad-monger in the
open street?'
The man's face was red, whether with drink, or that the sight of the
girl had brought the colour into his face, Kainie could not say. His
breath smelt of spirits, and she turned her head away.
Public-domain text, read in full here on John Shaqi.
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