England -- Fiction; Gothic fiction; Inheritance and succession -- Fiction
We do not fabricate such images; they rise like exhalations from a few
scattered data, and present themselves spontaneously. It is this
self-creation that invests them with so much reality in our
imaginations, and subjects us to so odd a surprise when the original
turns out quite unlike the portrait with which we have been amusing
ourselves.
She now pushed open a door, and said, "Monsieur the Baron here is
arrived Monsieur David d'Ardennes."
The room in which he now stood was spacious, but very nearly dark. The
shutters were closed outside, and the moonlight that entered came
through the circular hole cut in each. A large candle on a bracket
burned at the further end of the room. There the baron stood. A
reflector which interposed between the candle and the door at which
David Arden entered directed its light strongly upon something which the
baron held, and laid upon the table, in his hand; and now that he turned
toward his visitor, it was concentrated upon his large face, revealing,
with the force of a Rembrandt, all its furrows and finer wrinkles. He
stood out against a background of darkness with remarkable force.
The baron stood before him--a short man in a red waistcoat. He looked
more broad-shouldered and short-necked than ever in his shirt-sleeves.
He had an instrument in his hand resembling a small bit and brace, and
some chips and sawdust on his flannel waistcoat, which he brushed off
with two or three sweeps of his short fat fingers. He looked now like a
grim old mechanic. There was no vivacity in his putty-coloured features,
but there were promptitude and decision in every abrupt gesture. It was
his towering, bald forehead, and something of command and savage energy
in his lowering face, that redeemed the _tout ensemble_ from an almost
brutal vulgarity.
The baron was not in the slightest degree "put out," as the phrase is,
at being detected in his present occupation and _deshabille_.
He bowed twice to David Arden, and said, in English, with a little
foreign accent--
"Here is a chair, Monsieur Arden; but you can hardly see it until your
eyes have grown a little accustomed to our _crépuscula_."
This was true enough, for David Arden, though he saw him advance a step
or two, could not have known what he held in the hand that was in
shadow. The sound, indeed, of the legs of the chair, as he set it down
upon the floor, he heard.
"I should make you an apology, Mr. Arden, if I were any longer in my own
home, which I am not, although this is still my house; for I have
dismissed my servants, sold my furniture, and sent what things I cared
to retain over the frontier to my new habitation, whither I shall soon
follow; and this house too, I shall sell. I have already two or three
gudgeons nibbling, Monsieur."
"This house must have been the hotel of some distinguished family,
Baron; it is nobly proportioned," said David Arden.
Public-domain text, read in full here on John Shaqi.
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