England -- Fiction; Gothic fiction; Inheritance and succession -- Fiction
As his eye became accustomed to the gloom, David Arden saw traces of
gilding on the walls. The shattered frames on which the tapestry was
stretched in old times remained in the panels, with crops of small,
rusty nails visible. The faint candle-light glimmered on a ponderous
gilded cornice, which had also sustained violence. The floor was bare,
with a great deal of litter, and some scanty furniture. There was a
lathe near the spot where David Arden stood, and shavings and splinters
under his feet. There was a great block with a vice attached. In a
portion of the fire-place was built a furnace. There were pincers and
other instruments lying about the room, which had more the appearance of
an untidy workshop than of a study, and seemed a suitable enough abode
for the uncouth figure that confronted him.
"Ha! Monsieur," growls the baron, "stone walls have ears, you say if
only they had tongues; what tales _these_ could tell! This house was one
of Madame du Barry's, and was sacked in the great Revolution. The
mirrors were let into the plaster in the walls. In some of the rooms
there are large fragments still stuck in the wall so fast, you would
need a hammer and chisel to dislodge and break them up. This room was an
ante-room, and admitted to the lady's bed-room by two doors, this and
that. The panels of that other, by which you entered from the stair,
were of mirror. They were quite smashed. The furniture, I suppose, flew
out of the window; everything was broken up in small bits, and torn to
rags, or carried off to the broker after the first fury, and
_sansculotte_ families came in and took possession of the wrecked
apartments. You will say then, what was left? The bricks, the stones,
hardly the plaster on the walls. Yet, Monsieur Arden, I have discovered
some of the best treasures the house contained, and they are at present
in this room. Are you a collector, Monsieur Arden?"
Uncle David disclaimed the honourable imputation. He was thinking of
cutting all this short, and bringing the baron to the point. The old man
was at the period when the egotism of age asserts itself, and was
garrulous, and being, perhaps, despotic and fierce (he looked both), he
might easily take fire and become impracticable. Therefore, on second
thoughts, he was cautious.
"You can now see more plainly," said the baron. "Will you approach?
Concealed by a double covering of strong paper pasted over it, and
painted and gilded, each of these two doors on its six panels contains
six distinct master-pieces of Watteau's. I have known that for ten
years, and have postponed removing them. Twelve Watteaus, as fine as any
in the world! I would not trust their removal to any other hand, and so,
the panel comes out without a shake. Come here, Monsieur, if you please.
This candle affords a light sufficient to see, at least, some of the
beauties of these incomparable works."
"Thanks, Baron, a glance will suffice, for I am nothing of an artist."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account