England -- Fiction; Gothic fiction; Inheritance and succession -- Fiction
But who is the thin, tall man--the only sinister figure in the
group--with one hand in his breast, the other on a cabinet, as he leans
against the wall? Who is that pale, thin-lipped man, "with cadaverous
aspect and broken beak," whose eyes never seem to light up, but maintain
their dismal darkness while his pale lips smile? Those eyes are fixed on
the pretty face of Alice Arden, as she talks to Lady May, with a
strangely intense gaze. His eyebrows rise a little, like those of
Mephistopheles, towards his temples, with an expression that is
inflexibly sarcastic, and sometimes menacing. His jaw is slightly
underhung, a formation which heightens the satirical effect of his
smile, and, by contrast, marks the depression of his nose.
There was at this time in London a Mr. Longcluse, an agreeable man, a
convenient man, who had got a sort of footing in many houses, nobody
exactly knew how. He had a knack of obliging people when they really
wanted a trifling kindness, and another of holding fast his advantage,
and, without seeming to push, or ever appearing to flatter, of
maintaining the acquaintance he had once founded. He looked about
eight-and-thirty: he was really older. He was gentlemanlike, clever, and
rich; but not a soul of all the men who knew him had ever heard of him
at school or college. About his birth, parentage, and education, about
his "life and adventures," he was dark.
How were his smart acquaintance made? Oddly, as we shall learn when we
know him a little better. It was a great pity that there were some odd
things said about this very agreeable, obliging, and gentlemanlike
person. It was a pity that more was not known about him. The man had
enemies, no doubt, and from the sort of reserve that enveloped him their
opportunity arose. But were there not about town hundreds of men, well
enough accepted, about whose early days no one cared a pin, and
everything was just as dark?
Now Mr. Longcluse, with his pallid face, his flat nose, his sarcastic
eyebrows, and thin-lipped smile, was overlooking this little company,
his shoulder leaning against the frame that separated two pieces of the
pretty Dutch tapestry which covered the walls.
"By-the-bye, Mr. Longcluse--you can tell me, for you always know
everything," said Lady May--"is there still any hope of that poor
child's recovering--I mean the one in that dreadful murder in Thames
Street, where the six poor little children were stabbed?"
Mr. Longcluse smiled.
"I'm so glad, Lady May, I can answer you upon good authority! I stopped
to-day to ask Sir Edwin Dudley that very question through his carriage
window, and he said that he had just been to the hospital to see the
poor little thing, and that it was likely to do well."
"I'm so glad! And what do they say can have been the motive of the
murder?"
"Jealousy, they say; or else the man is mad."
"I should not wonder. I'm sure I hope he is. But they should take care
to put him under lock and key."
Public-domain text, read in full here on John Shaqi.
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