Pont Street is built entirely of red brick, the houses being in a modernized seventeenth century style. From Pont Street opens out Cadogan Square. This square is very modern, and stands on part of the site of Princes' Cricket-ground. Hans Place deserves more special mention. "L. E. L." (Letitia Elizabeth Landon), the poetess who was "dying for a little love," spent the greater part of her life here. She was born at No. 25, and educated at No. 22, both of which have now disappeared. Shelley stayed here for a short time, and Miss Mitford was educated at a school (No. 2) which turned out several literary pupils. Hans Place was laid out in 1777 by a Mr. Holland, who built a great house called the Pavilion, as a model for the Prince of Wales's Pavilion at Brighton; it was pulled down in 1879. The grounds comprised twenty-one acres of land, and contained a large piece of ornamental water. To the west of Hans Place, in Walton Street, is St. Saviour's Church, founded in 1839. A handsome chancel was added in 1890, and opened by the Bishop of London. At the same time a new organ was added. The chief feature of interest is a fine oak screen, on which the carving represents the nine orders of angels. On the east is Pavilion Road: the derivation of the name is obvious. It runs parallel to the whole length of Sloane Street. Sloane Street itself is exactly a mile long from the square to Knightsbridge. The Church of Holy Trinity, just above the square, is in an unusual style of architecture; its two tall towers of red brick faced with stone add an imposing detail to the architecture of the street. The first church was consecrated in 1830, but pulled down in 1889 and replaced by the present one, due to the generosity of Earl Cadogan. The architect was F. R. Sedding, F.R.I.B.A. Within, the building is very light and high, and all the fittings are exquisitely finished. The pulpit is of marble with inlaid panels. The east window is very fine, and the stained glass was designed by Burne-Jones, R.A., and supplied by Morris. The wrought-iron gates and brass panels on the chancel stalls are worth notice, also the graceful figure supporting the lectern, which is the work of H. H. Armstead, R.A. The handsome organ screen of iron, gilded over, and oxidized copper is a memorial gift, and the frontal picture on the chapel altar is by Reynolds Stephens.