Chicago and its cess-pools of infamyWilson, Samuel Paynter
History
Chicago and its cess-pools of infamy
Wilson, Samuel Paynter
Chicago (Ill.) -- Social conditions; Prostitution -- Illinois -- Chicago
There is something wonderful in her mild grasp of the hand, and in her
earnest tones, “Come, let the Good Lord save you. He has saved others,
and I know there is a chance for you.”
“And He took him by the right hand and lifted him up.” Lifted him up!
my brother!
Churches
Among the great institutions of Chicago is the church. No greater
force for righteousness exists anywhere. The great, stately edifices
are scattered over the entire city; from the business center back
to the grand trees of the suburbs. Their tall spires point solemnly
heavenward, as if to lift the soul above the vulgar worship of mammon,
and at intervals the sweet tones of chimes come floating down into the
streets, telling that wealth is not all, folly is not all, business is
not all! but that there is something purer, nobler, waiting high above
the golden cross which the sunlight bathes so lovingly.
The music at the fashionable churches is superb. The organist is a
professor of reputation, and the choir is made up of singers of some
note who devote themselves to concerts and public amusements on secular
days.
Not many years ago the tenor of one of the best choirs in the city
was also the popular singer in a State street “Free and Easy.” He
had a magnificent voice, and his secular engagements were constant
and profitable; often keeping him in the concert hall all through
Saturday night, and until the small hours of Sunday morning. The tenor
unfortunately had a weakness for his glass, and it was a constant
wonder to his friends that he contrived to get his head clear enough by
church time on Sunday morning to take his place in the choir of St. ——
church. For a long while, however, he managed to fill both engagements
creditably, but at length misfortune overtook him. He had sung at the
“Free and Easy” on Saturday night and had gotten through the morning
service with credit. The eloquence of the preacher lulled him into a
profound slumber, and all through the sermon he was dreaming of the
concert hall and the jolly crowd assembled to hear him render his great
song of “Muldoon.” The sermon over he was aroused from his slumber by
a fellow member of the choir, who whispered that they were waiting for
his solo. Still half asleep, and with his head yet full of the saloon
and the applause awaiting him, he staggered to the choir rail, looking
about him, broke out lustily:
“Come and see me, I’ll trate ye decent,
I’ll make ye drunk; I’ll fill yer can,
Sure, when I walk the strate,
Says each one I mate,
There goes Muldoon; he’s a solid man.”
The reader may picture to himself the sensation the tenor’s solo
produced in the church.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account