France -- History -- Henry III, 1574-1589 -- Fiction
“Judge of it!” cried Bussy. And with the hilt of his sword he
struck him on the temple. Quelus fell under the blow. Then
furious--wild, he rushed forward, uttering a terrible cry. D’O
and D’Epernon drew back, Maugiron was raising Quelus, when Bussy
broke his sword with his foot, and wounded the right arm of
D’Epernon. For a moment he was conqueror, but Quelus recovered
himself, and four swords flashed again. Bussy felt himself lost.
He gathered all his strength to retreat once more step by step.
Already the perspiration was cold on his brow, and the ringing in
his ears and the cloud over his eyes warned him that his strength
was giving way. He sought for the wall with his left hand; to his
astonishment, it yielded. It was a door not quite closed. Then
he regained hope and strength for a last effort. For a second his
blows were rapid and violent. Then he let himself glide inside
the door, and pushed it to with a violent blow. It shut, and Bussy
was saved. He heard the furious blows of his enemies on the door,
their cries of rage, and wrathful imprecations. Then, the ground
seemed to fail under his feet, and the walls to move. He made a
few steps forward, and fell on the steps of a staircase. He knew
no more, but seemed to descend into the silence and obscurity
of the tomb.
CHAPTER III.
HOW IT IS SOMETIMES DIFFICULT TO DISTINGUISH A DREAM FROM THE
REALITY.
Bussy had had time, before falling, to pass his handkerchief
under his shirt, and to buckle the belt of his sword over it,
so as to make a kind of bandage to the open wound whence the
blood flowed, but he had already lost blood enough to make him
faint. However, during his fainting fit, this is what Bussy saw,
or thought he saw. He found himself in a room with furniture of
carved wood, with a tapestry of figures, and a painted ceiling.
These figures, in all possible attitudes, holding flowers, carrying
arms, seemed to him to be stepping from the walls. Between the
two windows a portrait of a lady was hung. He, fixed to his bed,
lay regarding all this. All at once the lady of the portrait
seemed to move, and an adorable creature, clothed in a long white
robe, with fair hair falling over her shoulders, and with eyes
black as jet, with long lashes, and with a skin under which he
seemed to see the blood circulate, advanced toward the bed. This
woman was so beautiful, that Bussy made a violent effort to rise
and throw himself at her feet. But he seemed to be confined in
there by bonds like those which keep the dead body in the tomb,
while the soul mounts to the skies. This forced him to look at
the bed on which he was lying, and it seemed to him one of those
magnificent beds sculptured in the reign of Francis I., to which
were suspended hangings of white damask, embroidered in gold.
Public-domain text, read in full here on John Shaqi.
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