Then he heard the sound of a door shutting. He made a few steps silently, and extending his hand, felt a door; he went in, found a second in which was a key; he turned it, and entered the room tremblingly. The room in which he found himself was dark, except from the light shining from another. By this he could see two windows, hung with tapestry, which sent a thrill of joy through the young man’s heart. On the ceiling he could faintly see the mythological figures; he extended his hand, and felt the sculptured bed. There was no more doubt, he was in the room where he had awakened the night of his wound. Bussy hid behind the bed-curtains to listen. He heard in the adjoining room the impatient step of the unknown; from time to time he stopped, murmuring between his teeth, “Will she come?” Presently a door opened, and the rustling of a silk dress struck on Bussy’s ear. Then he heard a woman’s voice, expressive at once of fear and disdain, saying: “Here I am, monsieur, what do you want now?” “Madame,” replied the man, “I have the honor of telling you that, forced to set off to-morrow morning for Fontainebleau, I come to pass the night with you.” “Do you bring me news of my father?” “Madame, listen to me----” “Monsieur, you know what we agreed yesterday, when I consented to become your wife, that, before all things, either my father should come to Paris, or I should go to him.” “Madame, as soon as I return from Fontainebleau, I give you my word of honor, but meanwhile----” “Oh! monsieur, do not close the door, it is useless; I will not pass a single night under the same roof with you until you bring me my father.” And the lady, who spoke, thus, whistled through a silver whistle, which was then the manner of calling servants. Immediately the door opened, and a young, vigorous-looking girl entered. As she went in, she left the door open, which threw a strong light into the room where Bussy was hid, and between the two windows he saw the portrait. Bussy now crept noiselessly along to where he could peep into the room. However carefully he moved, the floor creaked. At the noise the lady turned, she was the original of the portrait. The man, seeing her turn, turned also; it was M. de Monsoreau. “Ah!” thought Bussy, “the white horse, the woman carried away, there is some terrible history.” Bussy, as we have said, could see them both; she, standing up, pale and disdainful. He, not pale, but livid, agitated his foot impatiently. “Madame,” said he, at last, “do not hope to continue with me this character of a persecuted woman; you are at Paris, in my house, and, still more, you are Comtesse de Monsoreau, that is to say, my Wife. “If I am your wife, why refuse to conduct me to my father? Why continue to hide me from the eyes of the world?” “You have forgotten the Duc d’Anjou, madame.” “You assured me that, once your wife, I should have no more to fear from him.” “That is to say----” “You promised me that.”