In the early settlements of Connecticut, Massachusetts, and Virginia, sumptuary laws were passed to restrain and attempt to prohibit extravagance in dress. The New England magistrates were curiously minute in description of overluxurious attire, and many offenders were tried and fined. But vain daughters and sons "psisted in fflonting," though ministers joined the lawmakers in solemn warnings and reprehensions. Young girls were fined for silk hoods and immoderate great sleeves, and boldly appeared in court in still richer attire. The Dutch never attempted or wished to simplify the dress of either men or women. In New York dress was ample, substantial, varied in texture, and variegated in color. It ever formed a considerable item in personal property. The children of the Dutch settlers had plentiful and warm clothing, and sometimes very rich clothing, as may be seen in the quaint and interesting picture facing page 26, of twin girls, the two daughters of Abraham De Peyster of New York, and his wife, Margaret Van Cortlandt. They are dressed in red velvet trained gowns, but are barefooted. They were born December 3, 1724, and Eva died in 1729, a month after the portrait was painted. Catherine was married on her eighteenth birthday to John Livingstone, son of the second lord of the manor. Their son had a daughter Catherine, who became the wife of Don Mariano Velasquez de la Cadenas. To their daughters, Mrs. Azoy and Miss Mariana Velasquez, this interesting portrait now belongs. [Illustration: Infant's Robe, Cap and Christening Blanket] The mother of these twins was the daughter of Jacobus Van Cortlandt and Eva De Vries Philipse. The names of Eva and Catherine have ever been given to the little daughters of these allied families, and are borne to-day by many of their descendants. Another little girl of Dutch blood was Cathalina Post, who married Zegor Van Santvoord. Her portrait was painted in 1750 when she was fourteen years old, and is now owned by Dr. Van Santvoord of Kingston-on-Hudson, New York. A copy of this quaint old picture faces page 204. It is most interesting in costume; the head-gear showing distinct Dutch influence. There is a suggestion of earrings in this portrait, and Katherine Ten Broeck, another child of Dutch blood, but three years old, wears earrings. The reproduction of her portrait, given opposite page 192, shows these jewels but dimly, but they are visible in the original oil-painting. She was born in Albany in 1715. The portrait is marked Ætat^s Sua, 3 Years, 1719. She was married to John Livingstone, and lived to become a stately old dame, receiving formally on New Year's Day her grandchildren, who always greeted her in Dutch learned for the special occasion.