Child Stories from the Masters: Being a Few Modest Interpretations of Some Phases of the; Master Works Done in a Child WayMenefee, Maud
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Child Stories from the Masters: Being a Few Modest Interpretations of Some Phases of the; Master Works Done in a Child Way
Menefee, Maud
Children's stories; Literature -- Adaptations
Sometimes when the sweet song pealed out, the old shoemaker would forget
and leave his thread half drawn, and while he listened a wonderful
smiling light shone in his face. But whenever the little grandson asked
him what the bell said to him, the old man only shook his head and
pulled the stitch through and sewed on and on, until there was not any
more light; and for this reason the little boy began to think that the
bell was singing something about work. He thought of it very often when
he sat on his grandfather's step listening to the song and watching the
people. Sometimes those who had read the learned book spoke together and
laughed quite loudly, to show that they were not paying any attention to
the bell; and there were others who seemed not to hear it at all. But
there were some who listened just as the old grandfather had listened,
and many who stopped and bowed their heads and stood quite still for a
long, long while. But the strangest was, that no one ever could tell the
other what the bell had sung to him. It was really a very deep mystery.
Now there was a painter who had such loving eyes that even when he
looked on homely, lowly things, he saw wonder that no one else could
see. He loved all the sweet mysteries that are in the world, and he
loved the bell's song; he wondered about it just as the little boy had
done.
One evening, I think, he went alone beyond the village and through the
wide brown fields; he saw the light in the sky, and the birds going
home, and the steeple far off. It was all very still and wonderful, and
as he looked away on every side, thinking many holy thoughts, he saw a
man and a woman working together in the dim light. They were digging
potatoes; there was a wheelbarrow beside them, and a basket. Sometimes
they moved about slowly, or stooped with their hands in the brown earth.
And while they worked, the sound of the evening bell came faintly to
them. When they heard it they rose up. The mother folded her hands on
her breast and said the words of a prayer, and thought of her little
ones. The father just held his hat in his hand and looked down at their
work. And the painter forgot all the wonder of the sky and the wide
field as he looked at them, for there was a deeper mystery. And it was
plain to him.
But the man and the woman stood there listening; they did not know that
the bell was singing to them of their very own work, of every loving
service and lowly task of the day.
The bell sang on and on, and the peace of the song seemed to fill the
whole day.
Come, let us with the children live.
--_Friedrich Froebel_
FRIEDRICH AND HIS CHILD-GARDEN.
Friedrich Froebel--"Little Friedrich," they called him long ago. Is it
not strange to think that the great men who bring the beautiful deeds to
the world were once little children? Do you know how these children grow
so great and strong that they can do a loving deed for the whole world
at last? They do little loving deeds every day.
Public-domain text, read in full here on John Shaqi.
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