Childhood in literature and art, with some observations on literature for children : $b A studyScudder, Horace Elisha
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Childhood in literature and art, with some observations on literature for children : $b A study
Scudder, Horace Elisha
Children in art; Children in literature
Anthology, the Greek, 28-30.
Antigone, 18.
Apocryphal Gospels, the legends of the, 57-64.
Art, American, as it relates to children, 237, 238.
Art, modern, the foible of, 38.
Arthur, in _King John_, 120.
Ascanius, 31, 32.
Askbert, 68, 69.
Astyanax, 11;
a miniature Hector, 14.
_Atlantic Monthly, The_, cited, 34.
Austin, Alfred, cited, 38.
Ballads relating to children, 106-108;
characteristics of, 113.
Barbauld, Mrs., 173;
her relation to the literature of childhood, 175;
Coleridge and Lamb on, 174.
Bathsheba’s child, 42.
Beatrice, first seen by Dante, 77.
_Better Land, The_, 222.
Bible, the truth of the, not dependent on external witness, 6;
the university to many in modern times, 41, 42.
Blake, William, 163-165.
Boccaccio, 79.
Browning, Robert, as an interpreter of Greek life, 27;
his _Pied Piper_, 237.
Bryant, William Cullen, 217.
Bunyan, childhood in, 129-133.
Byzantine type of the Madonna, 83, 84.
Catullus, 33.
Chapman’s translation of Homer, quoted, 8, 9, 10, 16;
the quality of his defects, 9, 10.
Chaucer’s treatment of childhood, 108-111;
compared with the Madonna in art, 113.
Childhood, discovered at the close of the last century, 4;
in literature as related to literature for children, 4;
in Greek life, how attested, 7;
indirect reference to it in Homer, 8-11;
the direct reference, 11, 12;
in the Greek tragedians, 16-21;
in Plato, 22-26;
in the Greek Anthology, 29, 30;
in Virgil, 31, 32;
conception of, in Roman literature, 32, 33;
in Catullus, 33;
in epitaphs, 33, 34;
in Lucretius, 34;
in Juvenal, 35;
in classic conception of the supernatural, 34-36;
in the myth of Amor, 36-38;
in Old Testament literature, 42-46;
in New Testament literature, 48, 49;
attitude of the Saviour toward, 49;
as a sign of history, 52;
in the legends of the Apocryphal Gospels, 57-64;
of saints, 65-71;
under the forming power of Christianity, 73;
in Dante, 75-78;
in the representations of the Holy Family, 83-87;
in the art of the northern peoples, 87-92;
in the Madonnas of Raphael, 92-98;
in Raphael’s Amor, 98, 99;
in his representations of children generally, 100, 101;
in the art of Luca della Robbia, 101, 102;
its elemental force the same in all literatures, 105;
in ballad literature, 106-108;
in Chaucer, 108-111;
its character in early English literature, 112, 113;
in Spenser, 114, 115;
in the lighter strains of Elizabethan literature, 116, 117;
in Shakespeare, 117-126;
its absence in Milton, 127, 128;
how regarded in Puritanism, 128, 129;
in Bunyan, 129-133;
in Pope, 133, 134;
in Fielding, 135;
in Gray, 135-137;
in Goldsmith, 137-140;
in Cowper, 140, 141;
in the art of Reynolds and Gainsborough, 141, 142;
in Wordsworth, 144-157;
in De Quincey, 158-162;
Public-domain text, read in full here on John Shaqi.
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