Childhood in literature and art, with some observations on literature for children : $b A studyScudder, Horace Elisha
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Childhood in literature and art, with some observations on literature for children : $b A study
Scudder, Horace Elisha
Children in art; Children in literature
No attentive reader of the Old Testament has failed to remark the
prominence given to the preservation of the family succession, and to
the birth of male children. That laugh of Sarah—at first of scorn, then
of triumph—sounds out from the early records with a strange, prophetic
voice; and one reads the thirtieth chapter of the book of Genesis with
a sense of the wild, passionate rivalry of the two wives of Jacob, as
they bring forth, one after another, the twelve sons of the patriarch.
The burst of praise also from Hannah, when she was freed from her bitter
shame and had brought forth her son Samuel, has its echo through history
and psalm and prophecy until it issues in the clear, bell-like tones of
the Magnificat, thenceforward to be the hymn of triumph of the Christian
church. The voice of God, as it uttered itself in commandment and
prophetic warning, was for children and children’s children to the latest
generation. It is not the person so much as the family that is addressed,
and the strongest warnings, the brightest promises to the fathers, are
through the children. The prophet Hosea could use no more terrible word
to the people than when, speaking as the mouthpiece of God, he says:
“Seeing thou hast forgotten the law of thy God, I will also forget thy
children;”[21] and Zechariah, inspiriting the people, declares: “They
shall remember me in far countries; and they shall live with their
children.”[22] The promise of the golden age of peace and prosperity
has its climax in the innocence of childhood. “There shall yet old men
and old women dwell in the streets of Jerusalem, and every man with his
staff in his hand for very age. And the streets of the city shall be full
of boys and girls playing in the streets thereof;”[23] while the lofty
anticipation of Isaiah, in words which still serve as symbols of hopeful
humanity, reaches its height in the prediction of a profound peace among
the very brutes, when the wolf and the lamb, the leopard and the kid,
the calf, the young lion, and the fatling shall not only lay aside their
mutual hate and fear, but shall be obedient to the tender voice and
gentle hand of a little child, and even the noxious reptiles shall be
playmates for the infant.[24] In the Greek fable, Hercules in his cradle
strangled the snakes by his might; in the Jewish picture, the child
enters fearlessly the very dens of the asp and the adder, secure under
the reign of a perfect righteousness.
Milton, in his Ode on the Morning of Christ’s Nativity, has pointed out
this parallel:—
“He feels from Judah’s land
The dreaded infant’s hand,
The rays of Bethlehem blind his dusky eyne;
Nor all the gods beside
Longer dare abide,
Not Typhon huge ending in snaky twine;
Our babe, to show his Godhead true,
Can in his swaddling bands control the damnëd crew.”
Public-domain text, read in full here on John Shaqi.
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