Childhood in literature and art, with some observations on literature for children : $b A studyScudder, Horace Elisha
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Childhood in literature and art, with some observations on literature for children : $b A study
Scudder, Horace Elisha
Children in art; Children in literature
It is not strange, therefore, that the imagination, busying itself about
the spiritual life of man, should have dwelt with special emphasis upon
those signs of the new life brought to light in the Gospels, which
seemed to contain the promise of perfection. It seized upon baptism as
witnessing to a regeneration; it traced the lives of saints back to a
childhood which began with baptism; it invested the weak things of the
world with a mighty power; and, keeping before it the pattern of the
Head of the church, it traced in the early life of the Saviour powers
which confounded the common wisdom of men. It dwelt with fondness upon
the adoration of the Magi, as witnessing to the supremacy of the infant
Redeemer; and, occupied as it was with the idea of a suffering Saviour,
it carried the cross back to the cradle, and found in the Massacre of the
Innocents the type of a substitution and vicarious sacrifice.
The simple annals of the Gospels shine with great beauty when confronted
by the ingenuity and curious adornment of the legends included in the
so-called Apocryphal Gospels. Yet these legends illustrate the eagerness
of the early Christian world to invest the person of Jesus with every
possible charm and power; and since the weakness of infancy and childhood
offers the strongest contrast to works of thaumaturgy, this period is
very fully elaborated. A reason may also be found in the silence of the
evangelists, which needed to be broken by the curious. Thus, when, in
the flight into Egypt, the Holy Family was made to seek rest in a cave,
there suddenly came out many dragons; and the children who were with the
family, when they saw the dragons, cried out in great terror.
Public-domain text, read in full here on John Shaqi.
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