Childhood in literature and art, with some observations on literature for children : $b A studyScudder, Horace Elisha
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Childhood in literature and art, with some observations on literature for children : $b A study
Scudder, Horace Elisha
Children in art; Children in literature
These random incidents are, for the most part, mainly anticipatory of
mature experience. They can be matched with the details of Protestant
hagiology as recorded in a class of books more common forty years ago
than now. It is their remoteness that lends a certain grace and charm to
them. The life of a little Christian in the fourth century is invested
with an attraction which is wanting in the circumstance of some juvenile
saint living in the midst of indifferent scoffers of the early part of
the nineteenth century.
Occasionally, however, the legends inclose the saintly attributes in some
bit of romance, or betray a simple, ingenuous sympathy with childish
nature. The legend of S. Kenelm has a faint suspicion of kinship with the
story of the babes in the wood. King Kenwulf of Wessex died, and left
two daughters, Cwendrida and Burgenilda, and a son of seven years, named
Kenelm. The elder of the daughters wished the child out of the way, that
she might reign; so she gave money to Askbert, his guardian, the wicked
uncle of the story, and bade him privily slay the boy. So Askbert took
Kenelm into a wood, as if for a hunt, and by and by the child, tired with
the heat, fell asleep under the shade of a tree. Askbert, seeing his time
had come, set to work to dig a grave, that all might be in readiness; but
Kenelm woke, and said, “It is in vain that you think to kill me here. I
shall be slain in another spot. In token whereof, see this rod blossom;”
and so saying, he stuck a stick into the ground, and it instantly took
root and began to flower. In after days it was a great ash-tree, known
as S. Kenelm’s ash. Then Askbert took the little king to another spot,
and the child, now wide awake, began to sing the Te Deum. When he came to
the verse, “The noble army of martyrs praise Thee,” Askbert cut off his
head, and then buried him in the wood. Just as he did this, a white dove
flew into the church of S. Peter in Rome, and laid on the high altar a
letter, which it bore in its beak. The letter was in English, and it was
some time before any one could be found who could read it. Then it was
discovered that Kenelm had been killed and his body hidden away. The Pope
thereupon wrote letters into England telling of this sorry affair, and
men went forth to find the body of the little king. They were led by a
pillar of light, which stood over the place where the body lay. So they
bore it off and buried it; but they built a chapel over the spot where
they had found the body, which is known as S. Kenelm’s chapel to this
day. There the chapel stands near Hales Owen; how else did it get its
name? and as Mr. Freeman sagely remarks, “It is hard to see what should
have made anybody invent such a tale, if nothing of the kind had ever
happened.”
Public-domain text, read in full here on John Shaqi.
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