Childhood in literature and art, with some observations on literature for children : $b A studyScudder, Horace Elisha
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Childhood in literature and art, with some observations on literature for children : $b A study
Scudder, Horace Elisha
Children in art; Children in literature
Here Wordsworth defends the philosophy of the poem by making it an
induction from his own experience. There will be found many to question
its truth, because they have no recollections which correspond with
the poet’s; and others who will claim that the poem is but a fanciful
argument in behalf of the philosophic heresy of a preëxistent state. In
my judgment, Wordsworth’s preface is somewhat misleading by its reference
to this theory, although he has furnished hints in the same preface
of his more integral thought. As I have noticed before, his artistic
presentation is truer and more final than his exegesis. Whoever reads
this great ode is aware of the rise and fall of the tide of thought; he
hears the poet reasoning with himself; he sees him passing in imagination
out of childhood into age, yet constantly recovering himself to fresh
perception of the immortality which transcends earthly life. It is
visible childhood with its intimation of immortality which brings to
the poet, not regret for what is irretrievably lost, but firmer faith
in the reality of the unseen and eternal. The confusion into which some
have been cast by the ode arises from their bringing to the idea of
immortality the time conception; they conceive the poet to be hinting
of an indefinite time antedating the child’s birth, an indefinite time
extending beyond the man’s death, whereas Wordsworth’s conception of
immortality rests in the indestructibility of spirit by any temporal or
earthly conditions,—an indestructibility which even implies an absence of
beginning as well as of ending.
“Heaven lies about us in our infancy,”
he declares. It is the investment of this visible life by an unseen,
unfelt, yet real spiritual presence for which he contends, and he
maintains that the inmost consciousness of childhood bears witness to
this truth; this consciousness fades as the earthly life penetrates the
soul, yet it is there and recurs in sudden moments.
“Hence in a season of calm weather,
Though inland far we be,
Our Souls have sight of that immortal sea
Which brought us hither,
Can in a moment travel thither,
And see the Children sport upon the shore,
And hear the mighty waters rolling evermore.”
In thus connecting childhood with the highest hope of the human race,
Wordsworth was repeating the note which twice before had been struck in
great epochs of history. This third renaissance was the awaking of the
human soul to a sense of the common rights and duties of humanity, the
dignity and worth of the Person.
* * * * *
Public-domain text, read in full here on John Shaqi.
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