Childhood in literature and art, with some observations on literature for children : $b A studyScudder, Horace Elisha
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Childhood in literature and art, with some observations on literature for children : $b A study
Scudder, Horace Elisha
Children in art; Children in literature
We must regard this as a somewhat distorted application of the words
of the gospel, but it is interesting as denoting that Goethe also, who
stood so much in the centre of illumination, had perceived the revealing
light to fall upon the heads of young children. It is not, however, so
much by his direct as by his indirect influence that Goethe is connected
with our subject. If Luther was both an exponent of German feeling and a
determining cause of its direction, Goethe occupies a similar relation
as an expression of German intellectualism and a stimulator of German
thought. A hundred years after his birth, when measures were taking
to celebrate the centenary by the establishment of some educational
foundation to bear his name, the enthusiastic supporters of Froebel
sought to divert public interest into the channel of this movement for
the cultivation of childhood. Froebel’s philosophy has affected modern
educational systems even where his method has not been scrupulously
followed. Its influence upon literature and art can scarcely be traced,
except so far as it has tended to give direction and set limits to the
great body of books and pictures, which, made for children, are also
expository and illustrative of the life of children. I mention him simply
as an additional illustration of the grasp which the whole subject of
childhood has obtained in Germany; it has made itself felt in religion
and politics; so revolutionary was Froebel’s philosophy held to be that
his schools were suppressed at one time by the government as tending to
subvert the state. This was not strange, since Froebel’s own view as to
the education of children was radical and comprehensive.
A child’s life finds its chief expression in play, and in play its social
instincts are developed. Now the kindergarten recognizes the fact that
play is the child’s business, not his recreation, and undertakes to guide
and form the child through play. It converts that which would otherwise
be aimless or willful into creative, orderly, and governed action. Out
of the play as governed by the wise kindergartner grows a spirit of
courtesy, self-control, forbearance, unselfishness. The whole force of
the education is directed toward a development of the child which never
forgets that he is a person in harmonious relation to others. Community,
not competition, is the watchword of the school. In this view the
kindergarten has its basis in the same law which lies at the foundation
of a free republic. Obedience, as taught by the system of public schools,
is an obedience to rules; it may be likened to the obedience of the
soldier,—a noble thing, but not the highest form of human subjection of
the will. Obedience as evolved in the true kindergarten is a conscious
obedience to law. The unity of life in the school, with entire freedom of
development in the individual, is the aim of the kindergarten.
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Public-domain text, read in full here on John Shaqi.
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