The flute is another source of amusement to the African boy. He makes his own instrument out of a piece of reed, but he can appreciate a good tin whistle from across the sea. From the reed he takes the pith and bores three or four holes in the hollow tube, and his flute is ready. The notes produced from the native flute always seem to me to be of a weird melancholy nature. The same three or four notes are blown over and over again, and become in time rather monotonous to the white man. [Illustration: DRILL REPLACES THE DANCE] Then there is the African violin called the “mgoli.” It consists of a drum through which sticks are passed. There is one string drawn tight over a bridge which stands in the drum. This primitive fiddle is played with a bow. It is not so difficult to play as the others already described, but its music is much more monotonous. The African boys are also expert at playing on a wooden dulcimer which they call “Nangolingondo.” Pieces of hard wood tuned to the African scale are laid across two pieces of palm stem and are fixed in their places by pegs. Then two players squat down on opposite sides of the dulcimer armed with a stick in each hand. One player leads off with a few flourishes and is joined by the other player whose notes overlap and yet fit into and between those of the first player’s in a marvellous manner. The music is fast and furious, but cannot be kept up for a long stretch at a time. As with the other instruments, this one is heard to advantage some distance off. The buzzing of a certain kind of beetle is also made to do duty with children as a kind of toy instrument. The unfortunate beetle is caught and fixed up with grass so that he cannot get away, although his wings are free to buzz with as much as he likes. In order to make this beetle-music the insect is held by the grass in front of the opened mouth. According as the mouth is opened so does the buzzing sound vary. There are many other kinds of African musical instruments, mostly of a very simple kind, giving forth but a note or two peculiar to the African and beloved by him. The children are on the whole not unmusical and can be trailed to sing very sweetly indeed. But I am sure they like their own songs best. CHAPTER XVI HINDRANCES TO THE GOSPEL Now I think I had better not write much more about Africa and its children lest I tire you. There are many other interesting things one would like to tell you but I am afraid this book is already quite long enough. In India and in China and in other lands I am sure it is harder than it is in Africa to win the people for Christ. Yet there are many hindrances too in the black man’s way.