Urim was a doll that had lost both legs and an arm, but its cheeks, when
I first saw it, were still pink, and, in spite of its misfortunes, it
wore a smile that never faded. Thummim was also a doll, somewhat more
rugged than Urim, but gloomy and frowning, in spite of its state of
preservation. Koppel and Rebecca agreed that Urim was by far the more
interesting of the two, but the two had come into the household
together, and to discard Thummim was altogether out of the question.
Koppel was a cloakmaker, and it was during the big strike that I first
met him. Of all the members of that big trades-union he alone had
continued to work when the strike was declared, and they all cursed him.
Pleading and threats alike were of no avail to induce him to leave the
shop; for the paltry pittance that he could earn he abandoned his union
and violated his oath of affiliation.
At every meeting he was denounced, his name was hissed, he was an
outcast among his kind.
When I tapped upon his door there was no response. I opened it and
beheld a child with raven hair, so busily occupied with undressing a
doll that she did not look up until I asked:
“Is Mr. Koppel in?”
She turned with a start and gazed at me in astonishment. Her big, brown
eyes were opened wide at the apparition of a stranger, yet she did not
seem at all alarmed. After a moment’s hesitation—the door was still
open—she approached me and held out the doll.
“Urim!” she said. I took it, and with a happy smile she ran to a corner
of the room, where, from under a table, she dragged another doll.
“T’ummim!” she said, holding it out to me.
Then Koppel entered the room. He knew me, although I had never seen him
before, and readily guessed the object of my errand.
“You are from the newspaper,” he said. “You want to know why I did not
strike.”
When the lamplight fell upon his countenance I saw that he was a
miserable-looking creature, servile in his manner, and repulsive to the
eye. He did not appear to be very strong, and the climb of the stairs
seemed to have exhausted him. He sat down, and the girl climbed upon his
knee. She threw her arm around his neck, and, looking up at me with a
pretty smile, said:
“Urim—T’ummim—mine!”
Koppel stroked her head, and a look of deep love came into his eyes, and
then I began to understand.
“She has no mother,” he said. “I must pay a woman to give her food. I—I
can’t strike—can I?”
One of the dolls slipped from my hand and fell to the floor.
“Urim!” cried the little one, slipping hastily from her father’s knee to
pick it up. Tenderly she examined the doll’s head; it was unscathed.
Then she looked up at me and held out her arms, and her mouth formed
into a rosebud. It was a charming picture, altogether out of
place—naïve, picturesque, utterly delightful.
“You must go to bed,” said her father, sternly. “The foolish thing wants
you to kiss her.”
We became friends—Koppel, Rebecca, Urim, Thummim, and I.
Public-domain text, read in full here on John Shaqi.
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