The sky has sung of it, the bright stars have sung of it, the birds and
the flowers and the green meadows have sung of it. And far from the
brightness and the sunshine of the world I can lead you to a dark room
where, night and day, the air is filled with the whirring and buzzing
and droning and humming of sewing machines, and if you listen intently
you can hear the song they sing: “Love! Love! Love!”
_Die Liebe ist eine alte Geschichte._
It is a foolish song, and somehow or other it has become sadly entangled
with the story of Erzik and Sarah, which is a foolish story that has
neither beginning nor end. Nor has it a plot or a meaning or anything at
all, for that matter, save the melody of spring and the perfume of
flowers.
You see, Sarah’s eyes were brown and Erzik’s were blue, and they sat
side by side in the sweatshop where the sewing machines whirred and
buzzed and droned and hummed. And side by side they had sat for almost a
year, speaking hardly a dozen words a day, for they are silent people,
those Eastern Jews, and each time that Sarah looked up she could see
that Erzik’s eyes were blue, and she saw a light in them that brought
the blood to her cheeks and filled her with a strange joy and a resolve
not to look up again.
And Erzik, wondering at the gladness in his heart, would smile, whereat
the sweater would frown, and the machines would whirr and buzz and drone
and hum more briskly.
It was the fault of the black thread—or was it the white thread? One of
them, at least, had become entangled in the bobbin of Sarah’s sewing
machine, and in disentangling it the needle’s point pierced her skin,
drawing—a tiny drop of blood. Erzik turned pale, and tearing a strip
from his handkerchief—a piece of extravagance which exasperated the
sweater beyond all bounds—hastened to bind it around the wound. Then
Sarah laughed, and Erzik laughed, too, and of course he must hold the
finger close to his eyes to adjust the bandage, and then, before the
whole room, he kissed her hand. Then she slapped him upon one cheek,
whereupon he quickly offered the other, and they laughed, and all the
room laughed, save Esther, whose face was always white and pinched.
Is it not a foolish story? That very night Erzik told Sarah that he
loved her, and she cried and told him she loved him, and then he cried,
and they both were happy. And on the next day they told the sweater that
they were soon going to be married, which did not interest him at all.
It was gossip for half a day, and then it fell into the natural order of
things. The machines went on whirring and buzzing and droning and
humming, and Erzik and Sarah frequently looked up from their work and
gazed smilingly into each other’s eyes. Of this they never tired, and
through the spring their love grew stronger and deeper, and the machines
in the room never ceased to sing of it; even the sparrows that perched
upon the telegraph wires close by the windows chirped it all day long.
Public-domain text, read in full here on John Shaqi.
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