With many misgivings Lizschen followed him into the building, and found
herself in a large hall, brilliantly illuminated, walled in with
paintings whose gilt frames shone like fiery gold in the bright light of
numerous electric lamps. For a moment the sight dazzled her, and she
gasped for breath. The large room, with its soft carpet, the glittering
lights and reflections, the confused mass of colours that the paintings
presented to her eyes, and the air of charm that permeates all art
galleries, be they ever so poor, were all things so far apart from her
life, so foreign not only to her experience, but even to her
imagination, that the scene seemed unreal at first, as if it had been
taken from a fairy tale. Braun was of a more phlegmatic temperament, and
not easily moved. The lights merely made his eyes blink a few times, and
after that he saw only Lizschen’s face. He saw the blood leave it and a
bright pallor overspread her cheeks, saw the frail hand move
convulsively to her breast, a gesture that he knew so well, and feared
that she was about to have a coughing spell. Then, suddenly, he saw the
colour come flooding back to her face, and he saw her eyes sparkling,
dancing with a joy that he had never seen in them before. Her whole
frame seemed suddenly to become animated with a new life and vigour.
Somewhat startled by this transformation he followed her gaze. Lizschen
was looking at a painting.
“What is it, dear?” he asked.
“The picture,” she said in a whisper. “The green fields and that tree!
And the road! It stretches over the hill! The sun will set, too, very
soon. Then the sheep will come over the top of the hill. Oh, I can
almost hear the leader’s bell! And there is a light breeze. See the
leaves of the tree; they are moving! Can’t you feel the breeze? Oh,
darling, isn’t it wonderful? I never saw anything like that before.”
Braun looked curiously at the canvas. To his eyes it presented a
woodland scene, very natural, to be sure, but not more natural than
nature, and equally uninteresting to him. He looked around him to select
a painting upon which he could expend more enthusiasm.
“Now, there’s the kind I like, Lizschen,” he said. “That storm on the
ocean, with the big ship going to pieces. And that big picture over
there with all the soldiers rushing to battle.”
He found several others and was pointing out what he found to admire in
them, when, happening to look at his companion’s face, he saw that her
eyes were still fastened upon the woodland picture, and he realised that
she had not heard a word of what he had said. He smiled at her tenderly.
“Ah, Lizschen,” he said, “if I were rich I would take that picture right
off the wall and give them a hundred dollars for it, and we would take
it home with us so that Lizschen could look at it all day long.”
Public-domain text, read in full here on John Shaqi.
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