He went to his work, and all that day the roar of the machines set his
brain a-whirring and a-roaring as if it, too, had become a machine. He
worked with feverish activity, and when the machines stopped he found
that he had earned a dollar and five cents. Then he went to Lizschen and
gave her fifty cents, which he told her he had found in the street.
Lizschen was much weaker, and could only speak in a whisper. She
beckoned to him to hold his ear to her lips, and she whispered:
“_Liebchen_, if I could only see the picture once more.”
“I will go and ask them, darling,” he said. “Perhaps they will let me
bring it to you.”
Braun went to his room and took from his trunk a dagger that he had
brought with him from Russia. It was a rusty, old-fashioned affair which
even the pawnbrokers had repeatedly refused to accept. Why he kept it or
for what purpose he now concealed it in his coat he could not tell. His
mind had ceased to work coherently: his brain was now a machine,
whirring and roaring like a thousand devils. Thought? Thought had
ceased. Braun was a machine, and machines do not think.
He walked to the picture gallery. He had forgotten its exact location,
but some mysterious instinct guided him straight to the spot. The doors
were already opened, but the nightly throng of spectators had hardly
begun to arrive. And now a strange thing happened. Braun entered and
walked straight to the painting of the woodland scene that hung near the
door. There was no attendant to bar his progress. A small group of
persons, gathered in front of a canvas that hung a few feet away, had
their backs turned to him, and stood like a screen between him and the
employees of the place. Without a moment’s hesitation, without looking
to right or to left, walking with a determined stride and making no
effort to conceal his purpose, and, at the same time, oblivious of the
fact that he was unobserved, Braun approached the painting, raised it
from the hook, and, with the wire dangling loosely from it, took the
painting under his arm and walked out of the place. If he had been
observed, would he have brought his dagger into use? It is impossible to
tell. He was a machine, and his brain was roaring. Save for one picture
that rose constantly before his vision, he was blind. All that he saw
was Lizschen, so white in her bed, waiting to see the woodland picture
once more.
He brought it straight to her room. She was too weak to move, too worn
out to express any emotion, but her eyes looked unutterable gratitude
when she saw the painting.
“Did they let you have it?” she whispered.
“They were very kind,” said Braun. “I told them you wanted to see it and
they said I could have it as long as I liked. When you are better I will
take it back.”
Lizschen looked at him wistfully. “I will never be better, _Liebchen_,”
she whispered.
Public-domain text, read in full here on John Shaqi.
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