Country life -- England -- Fiction; Dartmoor (England) -- Fiction
Fortified by this opinion--the only opinion I ever clung to--my
instinct turned from the way of least resistance on easy and level
lands and strove to climb, to sacrifice without regret the highest,
best, most hopeful, as life itself actually does. Thus only is the
vitality of the creator proved in his creation and tragedy achieved,
which, according to the measure of an artist's endowment, is clean,
cathartic, inspiring and obedient to the laws and realities of things
as they are. Irrationalism chokes under this atmosphere: only the
humanist can breathe it.
But the world grows braver, for we have seen great artists open its
eyes and blow the breath of honesty and truth into its lungs; we have
seen the sentimental vapours of the past dispelled in the freedom
that art now attains; we have seen the artist pitiless, that his
audience may learn the meaning of pity; ugly, that others may find
wherein true beauty lies.
By the kindness of Messrs. Heinemann and The Macmillan Company full
titles of my Dartmoor cycle are recorded on another page; and it is a
source of deepest gratification to know that in the future, when
conditions of production admit it, they design for me a definitive
edition. His publishers can pay no author a greater compliment than
that, and I take this opportunity to thank them for the highest
distinction my work has ever brought.
As a man's footsteps in the dew of the morning are the labours of the
minor artist; but if he challenge surer feet and greater strength to
pursue his quest before the dews are dried and his passing forgotten,
then he also has played a part. The masters flash lightning through
our clouds of human passion, ignorance and error, or hang rainbows of
promise upon their gloom; but for us of the rank and file, it is
enough that we make happy such as have only heard of happiness and
waken the dayspring of courage in fearful hearts; it is enough if we
kindle one valley mist with a gleam of beauty, or pour some few, pure
drops of hope into the thirsty and percipient soul.
E. P.
CONTENTS
PROLOGUE
CHAPTER
I. Betrothal
II. On Ugborough Beacon
III. The Rescue
BOOK I
I. Jeremy
II. At Red House
III. Barton Gill Under Notice
IV. On Shipley Bridge
V. The Children
VI. Huntingdon Warren
VII. Sunday
VIII. The Revel
IX. The Gift
X. After the Holiday
XI. The Offer of Owley
XII. On the Hill
XIII. The Oranges
XIV. End of a Home
BOOK II.
I. Chorus
II. Verdict
III. Utility
IV. Auna Tries
V. Revenge
VI. The Witch Doctor
VII. At Jacob's Bedside
VIII. Jeremy Evasive
IX. Jacob Comes Home
X. Flight
XI. After the Wedding
XII. A Problem for Auna
XIII. At the Barbican
BOOK III.
I. 'Mother's Stone'
II. Driving in the Ponies
III. The Pilgrim Fathers
IV. Evening Star
V. The Autumn Wind
VI. The Children
VII. William's Birthday
VIII. Jeremy
IX. Exodus
X. Fever
XI. Jacob Lives
XII. The Christening
XIII. The Promise
CHILDREN OF MEN
Public-domain text, read in full here on John Shaqi.
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