Children of the Dear CotswoldsHarker, L. Allen (Lizzie Allen)
General
Children of the Dear Cotswolds
Harker, L. Allen (Lizzie Allen)
Cotswold Hills (England) -- Fiction
The Reverend Grantley Molyneux hobbled down to the church for the first
time for some weeks. An attack of gout, unusually severe, had kept him
veritably "tied by the leg" during the best of the June weather. Now
that he was about again there were but gleams of watery sunshine to
tempt him out of doors. However, the sunshine if watery was warm, and
by the time the "old vicar"—for so he loved to be called—had reached the
church he was glad to enter and rest in its cool grey shadows.
From sunrise to sunset Redmarley Church stood open. There were no
week-day services—the worthy yeomen who formed the bulk of the
congregation would have looked with great suspicion on any such
innovation; but none the less would they have been indignant had the
church been shut.
For nearly forty years the present incumbent had ministered to the
people of Redmarley. He was, on the whole, decidedly popular—indeed,
rumour had it that in his slim youth he had been over-popular—with the
fair, being in the matter of susceptibility to their attractions
something of a Burns. But, unlike Burns, he attempted no explanation, no
vindication of his conduct, if such were needed, and it is surprising
how short-lived are rumours when there is no one to contradict them.
The old vicar had ruled his life according to the maxim given by an
exceedingly wise man to a young politician, "Never quarrel, never
explain, never fear." He found it to answer wonderfully well on the
whole, and for the last ten years had placidly increased in bulk,
untroubled by any enemy other than the gout.
A courteous scholarly man, of a somewhat florid old-world politeness, he
seemed strangely out of place in this remote Gloucestershire village,
but he suited the people, and the people suited him. Gallio himself was
not more careless of doctrine than is the average Cotswold peasant,
whose highest praise of "passun" lies in the phrase, "’e don’t never
interfere with oi." The old vicar never interfered, not even in so far
as to appoint a curate when disabled himself by gout.
Had he worn a ruff instead of the orthodox "choker," he might have
passed for one of his own Elizabethan ancestors, as he rested in the
squire’s pew, his head leaning against the high oak back.
A long face, with high narrow forehead and pointed beard, cheeks heavy
and creased, straight nose, with strongly marked sensitive nostrils.
The mouth full-lipped and shutting firmly under the grey moustache cut
straight across the upper lip. Truly a fine old face, deeply lined and
sorrowful, bearing upon it the tragic impress of great possibilities,
that had remained—possibilities.
Public-domain text, read in full here on John Shaqi.
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