Had Mrs. Gegg lived anywhere but in the lovely, lonely Cotswold village perched like a smiling fastness in the midst of beech-clad hills, reached only by the loosest and worst of roads, she would hardly have dared to dress a six-year boy in such extraordinary fashion. Public opinion would have been too strong for her. But Nookham, with its dozen cottages, lived and let live in easy apathy, and Jethro in bitterness of spirit wore his cotton frock. Two years ago Mary had discovered Nookham. Friends had driven her over to have tea in the woods, and to gather the wild strawberries found there in such abundance. She fell in love with the place, and came again upon a private exploring expedition, when she discovered that lodgings were to be had at the post-office, in the house of one Mrs. Gegg. There she spent a most delightful fortnight, sketching. Never was more attentive and honest landlady, never cleaner, more orderly house! It is true that Mary’s painting tackle greatly distressed her hostess, partaking as it did of the nature of things "messy and slummicky," which her soul abhorred. Otherwise, she liked Mary, as did most people; and she had in her way great toleration for the "curus ways" of the "gentry" generally, expecting less of them in the matter of common sense than she exacted from people of her own class. And now, after two years in Italy, Mary found herself once more in the dear Cotswold country, in the very middle of a perfect June. Nookham generally was unfeignedly pleased to see her again. Few strangers came to stay there, and the roads were too bad and too hilly for even the ubiquitous cyclist. The squire’s house was three miles from the village, the vicarage two, and the tall lady with the abundant wavy grey hair and strong, kind face had made a very distinct and pleasant impression. Mary did not catch a glimpse of Jethro during her first day until, happening at post-time to want a letter she had left in her bedroom, she ran upstairs to fetch it. The room, with door flung wide, faced the narrow staircase. In the very middle of the floor stood Jethro, in rapt contemplation of a large photograph of Giovanni Bellini’s Madonna,—the one in the sacristy of the Frari at Venice—which Mary had placed on the little mantelpiece. The day was well on in the week, the cotton frock hung in limp and draggled folds about the childish limbs, and the queer little creature’s attitude was almost pathetically boyish as he stood, legs far apart, his hands grasping the lilac cotton where pockets ought to have been. For a full minute Mary stood watching him. He made no attempt to touch the picture; in fact—and afterwards the circumstance seemed significant—he stood at some distance from it, that he might see it whole.