Children of the Dear CotswoldsHarker, L. Allen (Lizzie Allen)
General
Children of the Dear Cotswolds
Harker, L. Allen (Lizzie Allen)
Cotswold Hills (England) -- Fiction
Mary must have moved, for the stairs creaked. Jethro jumped, did not
even turn his head to see who was coming, but darted under the bed with
the instant speed of a startled squirrel. She came into the room, shut
the door, and sat down on her trunk, remarking, "If you come out I’ll
show you some more pictures!" Dead silence for five minutes, while Mary
sat patiently waiting. She was determined that she would in no way
frighten or constrain the timid child, for it seemed to her that the
little Cotswold peasant who stood gazing with absorbed interest at her
favourite Madonna must be worth knowing.
"I can’t think why you stay under there, Jethro," she said at last; "we
could have such a nice time together if you would come out, and I must
go directly to finish my letters."
But, like Brer Rabbit, Jethro "lay low and said nuffin’", so Mary was
fain to go and finish her letters, determined to play a waiting game.
From time to time she stopped writing, looking pained and puzzled. "It
is dreadful that a little child should be so afraid of one," she said to
herself; "what can they have done to him?" Presently Jethro rushed past
the open door, and later on there came from the direction of the back
kitchen a sound uncommonly like smacks.
Mrs. Gegg laid the supper as though she were dealing cards with the
angry emphasis indulged in by certain Bridge players after a series of
bad hands. Mary ventured on a timid remark to the effect that Nookham
had changed but little during her two years absence. Mrs. Gegg replied
that "Squire didn’t encourage no fancy building," and that therefore it
was likely to remain the same for some time to come. Conversation
languished, and she went into the garden to "take in" certain
exquisitely white garments still spread upon the currant bushes while
Mary stood at the front door waiting for the nightingale to "touch his
lyre of gold," when another and very different sound broke into the
scented stillness—a breathless, broken sound of sobs—a child’s sobs.
She listened for a moment, then turned and went back into the house to
follow the sound. From the landing window she noted with relief that
Mrs. Gegg was engaged in converse with a neighbour (Mary stood in great
awe of her landlady); she mounted a ladder leading to the attic, and
there, under the slates, lying full length on the outside of his clean
little bed, was Jethro, sobbing with an _abandon_ and intensity that
left Mary in no doubt as to what she should do this time. Bumping her
head violently, and nearly driving it through the slates in her haste,
for she could by no means stand upright, she climbed in and reached the
side of the bed.
Her entrance was so noisy that the child had plenty of time to vanish,
as he had done in the afternoon; but he was evidently so astonished by
her appearance that no thought of flight occurred to him; he even forgot
to be frightened, left off crying, and asked eagerly:
"Did you ’urt your ’ead?"
Public-domain text, read in full here on John Shaqi.
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