Monks Barton, or Barton Monachorum, as the farm was called in a Tudor
perambulation of Chagford, owed its name to traditions that holy men
aforetime dwelt there, performed saintly deeds, and blessed a spring in
the adjacent woods, whose waters from that date ever proved a magical
medicament for "striking" of sore eyes. That the lands of the valley had
once been in monastic possession was, however, probable enough; and some
portions of the old farm did in truth rise upon the ruins of a still
more ancient habitation long vanished. Monks Barton stood, a picturesque
agglomeration of buildings, beside the river. The mill-wheel, fed by a
stream taken from the Teign some distance up the valley and here
returned again to the parent water, thundered on its solemn round in an
eternal twinkling twilight of dripping ferns and green mosses; while
hard by the dwelling-house stood and offered small diamond panes and one
dormer-window to the south. Upon its whitewashed face three fruit-trees
grew--a black plum, a cherry, a winter pear; and before the farmhouse
stretched a yard sloping to the river ford, where a line of massive
stepping-stones for foot-passengers crossed the water. On either side of
this space, walled up from the edge of the stream, little gardens of
raspberry and gooseberry bushes spread; and here, too, appeared a few
apple-trees, a bed of herbs, a patch of onions, purple cabbages, and a
giant hollyhock with sulphur-coloured blossoms that thrust his proud
head upwards, a gentleman at large, and the practical countrymen of the
kitchen-garden. The mill and outbuildings, the homestead and wood-stacks
embraced a whole gamut of fine colour, ranging from the tawny and
crimson of fretted brick and tile to varied greys of drying timber; from
the cushions and pillows of moss and embroidery of houseleeks and
valerian, that had flourished for fifty years on a ruined shippen, to
the silver gleam of old thatches and the shining gold of new. Nor was
the white face of the dwelling-house amiss. Only one cold, crude eye
stared out from this time-tinctured scene; only one raw pentroof of
corrugated iron blotted it, made poets sigh, artists swear, and Miller
Lyddon contemplate more of the same upon his land.
A clucking and grunting concourse of fowls and pigs shared the farmyard;
blue pigeons claimed the roof; and now, in the westering light, with
slow foot, sweet breath, and swelling udder, many kine, red as the ripe
horse-chestnut, followed each other across the ford, assembled
themselves together and lowed musically to the milkers. Phoebe Lyddon
and John Grimbal still stood at the farm-gate, and they watched, as a
boy and an aged man came forward with buckets and stools. Then, to the
muffled thud of the water-wheel and the drone and murmur of the river,
was added a purr of milk, foaming into tin pails, and sharp, thin
monitions from the ancient, as he called the cows by their names and bid
them be still.
Public-domain text, read in full here on John Shaqi.
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