Whether or not we read him, we can feel
From time to time the vigor of his name
Against us like a finger for the shame
And emptiness of what our souls reveal
In books that are as altars where we kneel
To consecrate the flicker, not the flame.
Credo
I cannot find my way: there is no star
In all the shrouded heavens anywhere;
And there is not a whisper in the air
Of any living voice but one so far
That I can hear it only as a bar
Of lost, imperial music, played when fair
And angel fingers wove, and unaware,
Dead leaves to garlands where no roses are.
No, there is not a glimmer, nor a call,
For one that welcomes, welcomes when he fears,
The black and awful chaos of the night;
For through it all, -- above, beyond it all, --
I know the far-sent message of the years,
I feel the coming glory of the Light!
On the Night of a Friend's Wedding
If ever I am old, and all alone,
I shall have killed one grief, at any rate;
For then, thank God, I shall not have to wait
Much longer for the sheaves that I have sown.
The devil only knows what I have done,
But here I am, and here are six or eight
Good friends, who most ingenuously prate
About my songs to such and such a one.
But everything is all askew to-night, --
As if the time were come, or almost come,
For their untenanted mirage of me
To lose itself and crumble out of sight,
Like a tall ship that floats above the foam
A little while, and then breaks utterly.
Sonnet
The master and the slave go hand in hand,
Though touch be lost. The poet is a slave,
And there be kings do sorrowfully crave
The joyance that a scullion may command.
But, ah, the sonnet-slave must understand
The mission of his bondage, or the grave
May clasp his bones, or ever he shall save
The perfect word that is the poet's wand!
The sonnet is a crown, whereof the rhymes
Are for Thought's purest gold the jewel-stones;
But shapes and echoes that are never done
Will haunt the workshop, as regret sometimes
Will bring with human yearning to sad thrones
The crash of battles that are never won.
Verlaine
Why do you dig like long-clawed scavengers
To touch the covered corpse of him that fled
The uplands for the fens, and rioted
Like a sick satyr with doom's worshippers?
Come! let the grass grow there; and leave his verse
To tell the story of the life he led.
Let the man go: let the dead flesh be dead,
And let the worms be its biographers.
Song sloughs away the sin to find redress
In art's complete remembrance: nothing clings
For long but laurel to the stricken brow
That felt the Muse's finger; nothing less
Than hell's fulfilment of the end of things
Can blot the star that shines on Paris now.
Sonnet
Public-domain text, read in full here on John Shaqi.
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