Here Marynia became frightened at her own speech, and at this, what
would "Stas" think; at the same time reminiscences had roused her. All
this was reflected in her eyes as the dawn, and on her young face; and
she was herself like the dawn.
Bukatski looked at her as he would at some unknown newly discovered
master-piece of the Venetian school; then he closed his eyes, and
hid half of his small face in his enormous fantastic cravat, and
whispered,--
"_Délicieuse!_"
Then, thrusting forth his chin from his cravat, he said,--
"You are perfectly right."
But the logical woman would not let herself be set aside by a
compliment.
"If I am right, you are not."
"That is another matter. You are right because it becomes you; a woman
in that case is always right."
"Stas!" said Marynia, turning to her husband. But there was so much
charm in the woman at that moment, that he also looked on her with
delight, his eyes smiled, his nostrils moved with a quick motion; for a
moment he covered her hand with his, and said,--
"Oh, child, child!"
Then he inclined to her, and whispered,--
"If we were not in this hall, I would kiss those dear eyes and that
mouth."
And, speaking thus, Pan Stanislav made a great mistake, for at that
moment it was not enough to feel the physical charm of Marynia, to be
roused at the color of her face, her eyes, or her mouth, but it was
necessary to feel the soul in her; to what an extent he did not feel it
was shown by his fondling words, "O child, child!" She was for him at
that moment only a charming child-woman, and he thought of nothing else.
Just then coffee was brought. To end the conversation, Pan Stanislav
said,--
"So Mashko has come out a lover, and that after marriage."
Bukatski swallowed a cup of boiling coffee, and answered, "In this is
the stupidity, that Mashko is the man, not in this,--that the love
was after marriage. I have not said anything sensible. If I have, I
beg pardon most earnestly, and promise not to do so a second time. I
have burned my tongue evidently with the hot coffee! I drink it so hot
because they tell me that it is good for headache; and my head aches,
aches."
Here Bukatski placed his palm on his neck and the back of his head, and
blinked, remaining motionless for a few seconds.
"I am talking and talking," said he, then, "but my head aches. I should
have gone to my lodgings, but Svirski, the artist, is to come to me
here. We are going to Florence together; he is a famous painter in
water-colors, really famous. No one has brought greater force out of
water-colors. But see, he is just coming!"
In fact, Svirski, as if summoned by a spell, appeared in the hall, and
began to look around for Bukatski. Espying him at last, he approached
the table.
He was a robust, short man, with hair as black as if he were an
Italian. He had an ordinary face, but a wise, deep glance, and also
mild. While walking, he swayed a little because of his wide hips.
Public-domain text, read in full here on John Shaqi.
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