Criminals -- Fiction; Ex-convicts -- Fiction; Love stories
Some believed that she was now the mere ashes of a woman, in whom lived
only the last flickering spark. And some believed that beneath that drab
and spent appearance there smouldered a great fire, which might blaze
forth upon some occasion. But no one knew. As she was now, so she
had always been even in the memory of people considered old in the
neighborhood.
Beside the fact that she ran a pawnshop, which was reputed to be also a
fence, there were only two or three other facts that were known to her
neighbors. One was that in the far past there had been a daughter, and
that while still a very young girl this daughter had disappeared. It was
rumored that the Duchess had placed the daughter in a convent and that
later tire girl had married; but the daughter had never appeared again
in the quarter. Another fact was that there was a grandson, a handsome
young devil, who had come down occasionally to visit his grandmother,
until he began his involuntary sojourn at Sing Sing. Another fact--this
one the best known of all--was that two or three years before an
impudent, willful young girl named Maggie Carlisle had come to live with
her.
It was rather a meager history. People wondered and talked of mystery.
But perhaps the only mystery arose from the fact that the Duchess was
the kind of woman who never volunteered information about her affairs,
and the kind even the boldly curious hesitate to question...
And down here it was, in this unlovely street, in the Duchess's unlovely
house, that the drama of Maggie Carlisle and Larry Brainard began
its unpromising and stormy career: for, though they had thought of it
little, their forebears had been sowers of the wind, they themselves had
sown some of that careless seed and were to sow yet more--and there was
to be the reaping of that seed's wild crop.
CHAPTER II
When Maggie entered the studio on the Duchess's third floor, the big,
red-haired, unkempt painter roared his rebukes at her. She stiffened,
and in the resentment of her proud youth did not even offer an
explanation. Nodding to her father and Barney Palmer, she silently
crossed to the window and stood sullenly gazing over the single mongrel
tree before the house and down the narrow street and across the little
Square, at the swirling black tide which raced through East River. That
painter was a beast! Yes, and a fool!
But quickly the painter was forgotten, and once more her mind reverted
to Larry--at last Larry was coming back!--only to have the painter,
after a minute, interrupt her excited imagination with:
“What's the matter with your tongue, Maggie? Generally you stab back
with it quick enough.”
Public-domain text, read in full here on John Shaqi.
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