Children -- Books and reading; Children's literature -- Bibliography; Children's literature -- History and criticism
Since the time of Rousseau the emancipation of the child has steadily
advanced; in society, he has taken his place. No longer is it incumbent
upon him to be seen and not heard, no longer are his answers written
out for him to memorise. Mr. E. V. Lucas, in the preface to his
“Forgotten Tales of Long Ago,” calls attention to one story, “Ellen
and George; or, The Game at Cricket,” culled from “Tales for Ellen,”
by Alicia Catherine Mant, and in a characteristically droll manner he
says, “Ellen’s very sensible question (as it really was) on p. 184,
‘Then why don’t you send the cat away?’ is one of the first examples of
independent--almost revolutionary--thought in a child, recorded by a
writer for children in the early days.”
But the chains that have fallen from one door have been threatening to
shackle another. Where once children could scarcely escape the moral,
their imaginations now have no room for flight. Fancy is bestrided by
fact. We must give reasons for everything. When Artemus Ward was asked
why the summer flowers fade, he exclaimed, “Because it’s their biz, let
’em fade.” In nature study for children the general effect leaves a
deeper impression than the technical structure. We do not know whether
it is necessary to have Mr. Seton’s “Story of Wahb” vouched for as to
accuracy in every detail. The scientific naturalists and story-writers
are constantly wrangling, but there is not so much harm done to nature
after all. An author who wilfully perverts fact, who states as true for
the class what he knows to be a variant in the one coming under his
observation, should be called to account. Otherwise a human interest
attached to animals creates a wide appeal. But to use this vehicle for
exploiting the commonplace, and what properly belongs to the text-book,
should be condemned by the librarian. Mr. Tudor Jenks[1] humorously
declares: “We ask our little ones to weep over the tribulations of a
destitute cock-roach or a bankrupt tumble-bug.” And another critic of
an earlier age writes of those same children--“They are delighted, it
is true, with the romantic story of ‘Peter, the wild boy,’ but they
have not the slightest curiosity to know the natural history, or
Linnæan nomenclature of the pig-nuts he ate.”
Public-domain text, read in full here on John Shaqi.
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