The titles of a few odd books which possess more than usually interesting features may be jotted down. Of these, "Little Thumb and the Ogre" (R. Dutton, 1788), with illustrations by William Blake, is easily first in interest, if not in other respects. Others include "The Cries of London" (1775), "Sindbad the Sailor" (Newbery, 1798), "Valentine and Orson" (Mary Rhynd, Clerkenwell, 1804), "Fun at the Fair" (with spirited cuts printed in red), and Watts's "Divine and Moral Songs," and "An Abridged New Testament," with still more effective designs also in red (Lumsden, Glasgow), "Gulliver's Travels" (greatly abridged, 1815), "Mother Gum" (1805), "Anecdotes of a Little Family" (1795), "Mirth without Mischief," "King Pippin," "The Daisy" (cautionary stories in verse), and the "Cowslip," its companion (with delightfully prim little rhymes that have been reprinted lately). The thirty illustrations in each are by Samuel Williams, an artist who yet awaits his due appreciation. A large number of classics of their kind, "The Adventures of Philip Quarll," "Gulliver's Travels," Blake's "Songs of Innocence," Charles Lamb's "Stories from Shakespeare," Mrs. Sherwood's "Henry and his Bearer," and a host of other religious stories, cannot even be enumerated. But even were it possible to compile a full list of children's books, it would be of little service, for the popular books are in no danger of being forgotten, and the unpopular, as a rule, have vanished out of existence, and except by pure accident could not be found for love or money. [Illustration: ILLUSTRATION FROM "COMIC NURSERY TALES" (G. ROUTLEDGE. 1846)] With the publications of Newbery and Harris, early in the nineteenth century, we encounter examples more nearly typical of the child's book as we regard it to-day. Among them Harris's "Cabinet" is noticeable. The first four volumes, "The Butterfly's Ball," "The Peacock at Home," "The Lion's Masquerade," and "The Elephant's Ball," were reprinted a few years ago, with the original illustrations by Mulready carefully reproduced. A coloured series of sixty-two books, priced at one shilling and sixpence each (Harris), was extremely popular.