It is often asked whether children have as lively, as intense feelings as their elders. Those emotions of childhood which are wont to break out into violent expression, such as angry disappointment and gladness, may not, it is said, be in themselves so intense as they look. In order to get more data for settling the question we must try to reach their less demonstrative feelings, those which they are apt to hide from view out of shame, or some other impulse. Of these none is more interesting than fear, and it so happens that a good deal of inquiry has of late been directed to this feeling. That we must not expect too much knowledge here seems certain. Fear is one of the shyest of the young feelings. A little fellow of two coming out of his grandpapa's house one evening into the darkness with his mother, asked her: "Would you like to take hold of my hand, mammy?" His father took this to mean the beginning of boyish determination not to show fear. Still, with the help of observations of parents, and later confessions and descriptions of childish fear, we may be able to get some insight into the dark subject. That fear is one of the characteristic feelings of children needs, one supposes, no proving. In spite of the wonderful stories of Horatio Nelson, and of their reflections in literature, _e.g._, Mr. Barrie's "Sentimental Tommy," I entertain the gravest doubts as to the existence of a perfectly fearless child. Children differ enormously, and the same child differs enormously at different times in the intensity of his fear, but they all have the characteristic _disposition_ to fear. It seems to belong to these wee, weakly things, brought face to face with a new strange world, to tremble. They are naturally timid, as all that is weak and ignorant in nature is apt to be timid. I have said that fear is well marked in the child. Yet, though it is true that a state of "being afraid" when fully developed shows itself by unmistakable signs, there are many cases where it is by no means easy to say whether the child experiences the feeling. People are apt to think that every time a child starts it is feeling afraid of something, but as we shall presently see, being startled and really frightened are two experiences, which, though closely related, must be carefully distinguished. A child may, further, show a sort of æsthetic repugnance to certain sounds, such as those of a piano; to ugly forms, _e.g._, a hunch-back figure; to particular touches, such as that of fur or velvet, without having the full experience of fear. Observers of children are by no means careful to distinguish true fear from other feelings which resemble it.