_À propos_ of novels, I should like just to mention one, a romantic novel of war and adventure, based upon the _History of the Three Kingdoms_, third century A.D., an epoch when China was split up under three separate sovereigns, who fought one another very much after the style of the Wars of the Roses in English history. This novel, a very long one, occupies perhaps the warmest corner in the hearts of the Chinese people. They never tire of listening to its stirring episodes, its hair-breadth escapes, its successful ruses, and its appalling combats. Some twelve years ago, a friend of mine undertook to translate it into English. After writing out a complete translation,—a gigantic task,—he rewrote the whole from beginning to end, revising every page thoroughly. In the spring of 1900, after ten years of toil, it was ready for the press; three months later it had been reduced to ashes by the Boxers at Peking. "Sunt lacrymae rerum ..." Chinese plays in the acting editions may be bought singly at street-stalls for less than a cent apiece. For the library, many good collections have been made, and published in handsome editions. This class of literature, however, does not stand upon a high level, but corresponds with the low social status of the actor; and it is a curious fact—true also of novels—that many of the best efforts are anonymous. Plays by women are also to be found; but I have never yet come across, either on the stage or in literature, any of those remarkable dramas which are supposed to run on month after month, even into years. * * * * * Division E is a very important one for students of the Chinese language. Here we find a number of works of reference, most of which may be characterised as indispensable, and the great majority of which are easily procurable at the present day. Beginning with dictionaries, we have the famous work of Hsü Shên, who died about A.D. 120. There was at that date no such thing as a Chinese dictionary, although the language had already been for some centuries ripe for such a production, and accordingly Hsü Shên set to work to fill the void. He collected 9353 written characters,—presumably all that were in existence at the time,—to which he added 1163 duplicates, _i.e._ various forms of writing the same character, and then arranged them in groups under those parts which, as we have already seen in the preceding Lecture, are indicators of the direction in which the sense of a character is to be looked for. Thus, all characters containing the element 犭 "dog" were brought together; all those containing 艹 "vegetation," 疒 "disease," etc.