Porcelain -- Collectors and collecting -- United States; Pottery -- Collectors and collecting -- United States
At that time, though vessels and their cargoes were insured, the
underwriters frequently did not make their appearance down the coast at
the scene of the wreck for many days and even weeks after the ship broke
up or came ashore. And when the tardy officials did arrive, Barnegat
natives, even from far inland—honest men and knavish rogues alike—had
always managed to capture everything of value that came ashore or could
be taken from the vessel. In order to conceal their stolen salvage,
indestructible merchandise or articles that were not affected by the
action of the soil and water were frequently buried until after the
baffled insurance company and the ship’s owners had left the scene. The
arrest and sentence of the leader of this gang of wreckers caused much
apprehension and excitement in every Barnegat home, and much fine china
was pounded up or thrown into the water, as well as buried, lest its
presence seem proof of complicity in the convict’s guilt. Our pieces of
“Beach ware” remained under ground for years—it is said until the wicked
old convict served out his term in prison, since he alone could find the
spot where he had buried it. The green-ribboned and pink-sprigged
teapots and teacups look too innocent to have known aught of such
wickedness and violence, but bear no more guileless face than did the
patriarchal old wrecker in the peaceful prosperous days of his later
years when he unblushingly and unwincingly sold to us this “Beach ware,”
of which his gossiping neighbors had told to us the tale.
Shall I have the dire name of “fence” applied to me when it is told that
I am the receiver of stolen goods?
The best piece of Wedgwood jasper ware that I own was bought from an old
Englishman of mild appearance and junk proclivities. A second visit to
his den found it closed. A friendly plumber in the adjacent shop
explained with effusion that the junk-man was a wretched old thief, and
no one but thieves sold to him or bought of him (I winced at the
accusation); that “he broke into a museyum in England and stole a lot of
china and brought it over here to sell, and had kep’ stealin’ ever
sense,” and he (the plumber) was “glad the perlice had chased him out,
for he was a disgrace to the neighborhood.” Was not my pretty
Flaxman-designed piece of Wedgwood stolen from that English collection?
[Illustration: Old Worcester in “Japan Taste.”]
Public-domain text, read in full here on John Shaqi.
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