Porcelain -- Collectors and collecting -- United States; Pottery -- Collectors and collecting -- United States
on upper shelves, never exploring in old window-seats, never lingering
to examine separately and lovingly each plate in a great pile. Above
all, think of ransacking a farm-house garret, “in cobwebbed corners,
dusty and dim,” with the thermometer below zero—it is beyond my power of
fancy to fathom such a scene. A fellow china hunter tells me a tale of a
lonely drive and Arctic exploration, and of riding gayly home therefrom
in the winter twilight, warming the cockles of her heart with four
Baltimore & Ohio plates pressed closely to her side, with two Lafayette
pepper-boxes and half a dozen Lowestoft custard-cups packed snugly in
her muff, and with a Pennsylvania Hospital platter in the fur robe at
her feet. I never believed her; it could not be true. China does not
grow in winter, ’tis a fair summer flower, and must be gathered under
summer suns.
But to what out-of-the-way, simple, rustic scenes has our china hunting
led us through the long summer days, scenes to be painted by Miss
Wilkins or Mrs. Slosson. To country auctions—not the ill-ventilated,
Hebrew-jostled, bawling arenas of city life, but auctions in country
villages, on old farms, where the auctioneer, if the day be warm, stands
outside the house on a door taken from its hinges and laid across two
barrels on the green, or among the beds of flowering phlox and
marigolds; where the lots for sale, unnumbered, uncatalogued, and
unclassified are handed out, a heterogeneous company, to the presiding
seller through the open windows behind him; where every small parcel of
value is neatly tied up and labelled with the names of past owners—Aunt
Hepsy, Mrs. Catey Doten, Old Job Greening; where every queer-gowned and
queer-coated neighbor for miles around has driven over in every kind of
vehicle to look at, if not to buy, the scattering house treasures. At
these country auctions, china and ancient underclothes, or pewter
porringers with feather pillows, may form a single “lot,” and you must
buy all or none. If you purchase you pay your money at once to the
auctioneer, with much friendly change-making by hard-fisted old farmers
on either hand; the china is delivered to your eager hands, the
underclothes are thrown to you or at you by the auctioneer over the
heads of the audience; the hay-rakes, or churns, or quilting-frames, or
whatever addenda may have been tacked to your porcelain, are brought
around and piled in a little heap by the side of your chair, or if you
have “backed up” your country wagon, are placed therein. I once bought
six large bundles of neatly labelled pieces of woollen cloth, pieces of
all the old petticoats and breeches and greatcoats that had been worn in
that house for forty years, just to get one India china plate. A
rugmaking—or I should say, “mat-braiding”—dame at my left, seeing my
dismay at my unsought treasures and noting my love of china, offered to
give me a modern match-box for the tidy bundle of pieces, which kindly
Public-domain text, read in full here on John Shaqi.
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