Porcelain -- Collectors and collecting -- United States; Pottery -- Collectors and collecting -- United States
Nor can you be over-confident that all auctions held in the country are
true country auctions. The ways of “antique men” are past finding out. A
sale of the household furnishings of an old farm-house in the heart of
the White Mountains, attracted a vast number of summer travellers, and
brought forth purchase sums that bewildered the farm residents for miles
around. Ere the sun went down on the day of the sale, a thrifty dealer
who happened to be present had had a conference with the farm-wife, and
as a result it was announced that she had a reserve stock of furniture
and china in her garret, which would be sold the following week. Back to
town sped the dealer, packed up a vast collection of unsalable débris
which he chanced to have on hand, and an “assorted lot” of modern
willow-pattern ware, freshly imported Canton china, new copper-lustre
and painted tea-sets, with a sparse sprinkling of old pieces. He sent
the entire lot by rail to the New Hampshire town; conveyed it by dead of
night to the farm-house; placed the crockery in the cupboards, the
brand-new brass candlesticks on the mantels, and the flimsy new andirons
in the old fireplaces, arranged all the furniture in judicious shadow,
and had a successful auction of “rare old colonial furniture and family
china.”
A famous starting-point, or rather rallying-point, on a china hunt is
the district school. Driving along the quiet country road, you chance,
in some barren and unlovely spot, often at some lonely cross-roads, upon
a small unshaded, single-storied building, whose general ugliness and
the beaten earth of whose door-yard tell to you its purpose and
character without the proof of the high-pitched and precise chorus of
monotonous three-syllabled words that vibrates shrilly out through the
open window. Hitch your steed to a tree, a fence, by the roadside, and
enter one of the twin portals of the abode of learning, passing by the
low-hanging rows of ragged straw hats, gingham sun-bonnets, and chip
“Shakers,” over the “warping floor,” in front of the “battered seats,
with jack-knife’s carved initial.” “Teacher” is glad to see you, the
children are gladder still. She sends a grinning barefooted boy out to
draw a pail of fresh well-water. You are asked, as a distinguished
visitor, to address the scholars. If you are a man, and thus of course
an orator, you do so with fluent tongue. If you are a woman, and thus
tongue-tied in public, you can ask for “recess” to be given, and make
your address informally to each little freckled face. You are, of
course, anxious to refurnish a house like the one in which you lived
when you attended the village school in the days of your youth. Do the
children know of any old blue china plates with trees and houses on
them? Have their mothers or grandmothers any pitchers with pictures of
soldiers, or sailors, or ships? Of course the children know; they know
everything—far more than grown people. You soon have an exact ceramic
Public-domain text, read in full here on John Shaqi.
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