Porcelain -- Collectors and collecting -- United States; Pottery -- Collectors and collecting -- United States
were painted in blue under the glaze with Chinese landscapes, flowers,
and figures. All were hand-painted, none were printed. These hints may
serve as guides in the detection and identification of Bow china.
I have seen in America cups and saucers painted with the partridge
pattern, which I believe are Bow, though the same pattern is found on
Worcester and Plymouth china. The well-known and exceedingly valuable
goat milk-jugs that, after forming for years the immovable standard from
which streamed defiantly the flag of Bow, are now calmly turned over to
Chelsea. These creamjugs are ornamented with two white goats in relief
at the base, and a bee is modelled on the front under the nose. The
handle is rustic with raised flowers. These jugs often have the triangle
mark. Some are painted with flowers, others are plain white porcelain.
Mr. Jewitt says they were sometimes made without the raised bee, but I
have never seen such an one. Two of these Bow jugs were in the
Strawberry Hill collection.
A very excitable young woman came rushing home one cold winter day, in
New York, with a demand for the “china books.” She had seen in an
antique shop, such a funny and pretty little pitcher, with a raised bee
on it, and she was sure that there was a picture of it somewhere in the
books—and she found it in Mr. Prime’s book on pottery and porcelain—a
Bow goat cream-jug. Well, it snowed, and was cold, and was late in the
afternoon, and the confident young collector deferred a purchasing visit
till the following morning. Alas! such a sickening disappointment—some
miserable despoiler had chanced to “drop in” on his way up-town and had
carried off the treasure. Worse still, the small boy who had sold it did
not know the purchaser’s name.
[Illustration: Plymouth Salt-cellar. Bow “Goat Cream-Jug.”]
Deeply did she mourn her ignorance, her indecision, her indolence, her
carelessness. The opportunity of a lifetime had thus been lost, to have
a goat cream-jug such as was sold at the Cother sale in London, in 1876,
for twenty-five pounds, to have such a jug offered for the paltry sum of
one dollar, and to refuse it—not to know enough to grasp such a
treasure. The bitterness of regret and of self-reproach nerved her to
action, and with the friendly and actively interested aid of the
antique-shop-boy, the jug-buyer was waylaid within a month’s time and
cajoled into reselling his purchase, which he did willingly enough. He
had bought it to keep his shaving brush in, because his father used to
keep his shaving brush in a similar one in England. With flecks of dried
shaving soap clinging to the goat’s horns, and mottling the bee’s wings,
she triumphantly brought her treasure home. It varies slightly in height
and by the turn of a leaf and twig from my Bow goat cream-jug, which
came from the Cavendish-Bentinck sale in London. The porcelain of the
New York captive of the chase is not so pure and clear and it may be of
Chelsea manufacture.
Public-domain text, read in full here on John Shaqi.
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