Chinese literature : $b Comprising the Analects of Confucius, the Sayings of Mencius, the Shi-King, the Travels of Fâ-Hien, and the Sorrows of HanFaxian
Philosophy
Chinese literature : $b Comprising the Analects of Confucius, the Sayings of Mencius, the Shi-King, the Travels of Fâ-Hien, and the Sorrows of Han
Faxian
China -- Literary collections; Chinese literature; Chinese literature -- Translations into English
The monks of the Gomati monastery, being mahâyâna students, and held in
greatest reverence by the king, took precedence of all the others in the
procession. At a distance of three or four li from the city, they made a
four-wheeled image car, more than thirty cubits high, which looked like
the great hall of a monastery moving along. The seven precious
substances [3] were grandly displayed about it, with silken streamers
and canopies hanging all around. The chief image stood in the middle of
the car, with two Bodhisattvas [4] in attendance on it, while devas were
made to follow in waiting, all brilliantly carved in gold and silver,
and hanging in the air. When the car was a hundred paces from the gate,
the king put off his crown of state, changed his dress for a fresh suit,
and with bare feet, carrying in his hands flowers and incense, and with
two rows of attending followers, went out at the gate to meet the image;
and, with his head and face bowed to the ground, he did homage at its
feet, and then scattered the flowers and burnt the incense. When the
image was entering the gate, the queen and the brilliant ladies with her
in the gallery above scattered far and wide all kinds of flowers, which
floated about and fell promiscuously to the ground. In this way
everything was done to promote the dignity of the occasion. The
carriages of the monasteries were all different, and each one had its
own day for the procession. The ceremony began on the first day of the
fourth month, and ended on the fourteenth, after which the king and
queen returned to the palace.
Seven or eight li to the west of the city there is what is called the
King's new monastery, the building of which took eighty years, and
extended over three reigns. It may be two hundred and fifty cubits in
height, rich in elegant carving and inlaid work, covered above with gold
and silver, and finished throughout with a combination of all the
precious substances. Behind the tope there has been built a Hall of
Buddha, of the utmost magnificence and beauty, the beams, pillars,
venetianed doors and windows, being all overlaid with gold-leaf. Besides
this, the apartments for the monks are imposingly and elegantly
decorated, beyond the power of words to express. Of whatever things of
highest value and preciousness the kings in the six countries on the
east of the Ts'ung range of mountains are possessed, they contribute the
greater portion to this monastery, using but a small portion of them
themselves.
[Footnote 1: Mahâyâna is a later form of the Buddhist doctrine, the
second phase of its development corresponding to the state of a
Bodhisattva, who, being able to transport himself and all mankind to
nirvâna, may be compared to a huge vehicle.]
[Footnote 2: A worshipping place, an altar, or temple.]
[Footnote 3: The Sapta-ratna, gold, silver, lapis lazuli, rock crystal,
rubies, diamonds or emeralds, and agate.]
Public-domain text, read in full here on John Shaqi.
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