Chinese literature : $b Comprising the Analects of Confucius, the Sayings of Mencius, the Shi-King, the Travels of Fâ-Hien, and the Sorrows of HanFaxian
Philosophy
Chinese literature : $b Comprising the Analects of Confucius, the Sayings of Mencius, the Shi-King, the Travels of Fâ-Hien, and the Sorrows of Han
Faxian
China -- Literary collections; Chinese literature; Chinese literature -- Translations into English
Ki K'ang once sent him a present of some medicine. He bowed, and
received it; but remarked, "Until I am quite sure of its properties I
must not venture to taste it."
Once when the stabling was destroyed by fire, he withdrew from the
Court, and asked, "Is any person injured? "--without inquiring as to the
horses.
Whenever the prince sent him a present of food, he was particular to set
his mat in proper order, and would be the first one to taste it. If the
prince's present was one of raw meat, he must needs have it cooked, and
make an oblation of it. If the gift were a live animal, he would be sure
to keep it and care for it.
When he was in waiting, and at a meal with the prince, the prince would
make the offering,[25] and he (the Master) was the pregustator.
When unwell, and the prince came to see him, he would arrange his
position so that his head inclined towards the east, would put over him
his Court robes, and draw his girdle across them.
When summoned by order of the prince, he would start off without waiting
for his horses to be put to.
On his entry into the Grand Temple, he inquired about everything
connected with its usages.
If a friend died, and there were no near relatives to take him to, he
would say, "Let him be buried from my house."
For a friend's gift--unless it consisted of meat that had been offered
in sacrifice--he would not bow, even if it were a carriage and horses.
In repose he did not lie like one dead. In his home life he was not
formal in his manner.
Whenever he met with a person in mourning, even though it were a
familiar acquaintance, he would be certain to change his manner; and
when he met with any one in full-dress cap, or with any blind person, he
would also unfailingly put on a different look, even though he were
himself in undress at the time.
In saluting any person wearing mourning he would bow forwards towards
the front bar of his carriage; in the same manner he would also salute
the bearer of a census-register.
When a sumptuous banquet was spread before him, a different expression
would be sure to appear in his features, and he would rise up from his
seat.
At a sudden thunder-clap, or when the wind grew furious, his look would
also invariably be changed.
On getting into his car, he would never fail (first) to stand up erect,
holding on by the strap. When in the car, he would never look about, nor
speak hastily, nor bring one hand to the other.
"Let one but make a movement in his face,
And the bird will rise and seek some safer place."
Apropos of this, he said, "Here is a hen-pheasant from Shan Liang--and
in season! and in season!" After Tsz-lu had got it prepared, he smelt it
thrice, and then rose up from his seat.
[Footnote 22: Because, it is said, such colors were adopted in fasting
and mourning.]
[Footnote 23: Because they did not belong to the five correct colors
(viz. green, yellow, carnation, white, and black), and were affected
more by females.]
Public-domain text, read in full here on John Shaqi.
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