There are in some parts such as Chekiang as many as four harvests per
annum, and no sooner is one reaped than the land is prepared for the
next. The introduction of new trees, vegetables, etc., would add greatly
to the wealth of the country, and with its unrivalled climate and soil
there is every reason to promote the multiplication of agricultural
colleges.
One of the most noticeable changes in Taiyuanfu is the complete absence
of the beggar of hideous mien, who dogs the steps of strangers in every
other city in China, and who seems to be the most immovable feature
of life in the East. He was an integral part, one had been taught to
believe, of the social fabric, and as hallowed as the very temple itself;
yet Taiyuanfu has the glory of having solved this difficult problem.
All the male beggars have been collected into the splendid old temple of
Heaven and Hell to be taught a trade, so as to be able to earn a living,
and they are not dismissed until they are capable of doing so. They
seemed quite a jolly crew, and were hard at work in various buildings,
though others of these were closed for the New Year. The most interesting
part of the institution was the town band which has been formed out of
the younger part of the beggar population. They were summoned to play for
our amusement, and they ended by playing for their own. The performance
was most creditable, especially considering that the band was only seven
months old; if there was some defect in tune, there was an excellent
sense of rhythm, which I have found lacking in many bands of long
standing at home; and it was really fascinating to see the gusto with
which they all played. The band has already taken part in various town
functions, and is making itself useful. The music is, of course, Western,
as are the instruments. Chinese musical instruments do not give enough
sound, as a rule, for large gatherings.
Public-domain text, read in full here on John Shaqi.
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