As a rule they wear nothing on their feet; but some of those who could
afford it wear sandals, and the wealthier Miao (if so they can be called)
had prettily embroidered ones for special occasions, with an embroidered
band along the outer side of the foot, and fastened across the instep
with a scarlet thread. The Miaos of both sexes wear stout puttees wound
round and round their legs till they look like pillars; or a piece of
felt tied with a white band. They are generally dyed a dark blue colour.
Sometimes the girls’ unprotected feet get the skin cracked or cut with
the stones on their rough mountain paths. They think nothing of sewing
them up with needle and thread, as if they were stockings.
The style of hairdressing among the Great Flowery Miao is quite
different from those of other Miao tribes. Their coarse black hair is
very abundant; as long as they are unmarried girls they wear it in two
plaits, hanging from close behind the ears to well below the waist. When
a girl marries she coils her hair into a long horn, which stands out just
above, and in a line with the shoulder. When she becomes a proud mother
her horn is exalted into a lofty pyramid, rising straight upwards from
the crown of her head.
The men wear the same kind of embroideries as the women, placed like a
shawl across their shoulders, and a sort of long hempen garment falling
below the knees and girded in at the waist. Their upper garment has loose
sleeves, looped up about the elbow with ornamental braid, which they make
on primitive little looms. Round their heads they wind cloth turbanwise,
or else wear nothing. They live on the simplest diet, nothing but flour
cooked before grinding, which they mix with water into a kind of porridge
and eat twice a day: this, with some vegetables or herbs, is their staple
food. They are addicted to drinking and fed no shame in it; both sexes
have drinking bouts. No Chinese woman is ever seen drunk, and it is a
most unusual vice among them: but if she should be drunk, she would be
far too proud to be seen out of doors in such a condition. Morally the Ta
Wha Miao seem to be at the bottom of the scale, and the Heh (black) Miao
at the top.
Considering their extreme poverty we were much touched by these people
asking Mr. Slichter to express to us their regret at not being able, on
that account, to offer us hospitality. This was in reply to a message he
had given them from us, expressing our pleasure at being with them and
regret at not being able to visit their various villages, or talk to them
in their own language.
[Illustration: Little Flowery Miao Coat.
_Page 120_]
Public-domain text, read in full here on John Shaqi.
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