Chinese pottery and porcelain; vol. 1. Pottery and early waresHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 1. Pottery and early wares
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
A word of explanation may appropriately be added here of the expression
_wu-ni yao_,[283] which occurs in several passages in Chinese books on
pottery. It means "black clay ware," and as a general term would naturally
include the "hare's fur bowls." Indeed, one passage[284] actually speaks
of the _wu-ni yao_ of Chien-an, and the _T´ao lu_, which gives the ware a
paragraph to itself, states that it was made at Chien-an, in Chien-ning
Fu, beginning in the Sung dynasty, and that its clay was black. It further
adds that the glaze is "dry and parched" and that it was sometimes green
(_ch´ing_). It is clear from the above quotations that _wu-ni yao_ was a
general expression for the dark-bodied Chien ware; and there the matter
would have ended had not early works, such as the _Cho kêng lu_ and _Ko
ku yao lun_, mentioned it in the category of Kuan and Ko wares, the
former naming it with the Hsün and Yu-hang wares, which were inferior to
the Kuan, and the latter adding to the passage dealing with Kuan wares
the following note: "There are black wares which are called _wu-ni yao_,
all of which were imitated at Lung-ch´üan. They have no crackle." The
_Po wu yao lan_, however, explains that these wares "were admitted _by
confusion_ into the category of Kuan and Ko wares," and that the "error
has been handed down to this day." Probably it was the green variety
which caused the confusion, as there seems no reason why the black glazes
should have been associated with the Kuan class, though the dark red clay
of the Phœnix Hill from which the Hang Chou Kuan ware was made may have
had some resemblance to the dark red brown body of the Chien yao. As for
the Lung-ch´üan imitations, we can only imagine that the statement refers
to the later Ko wares, which are said to have been made with material
brought from Hang Chou,[285] and that their glaze, too, was of the green
variety, as would be expected in the Lung-ch´üan district, the home of the
green celadons. At the same time it will be remembered that _wu-ni yao_
means simply "black clay ware," and might have been fairly applied to any
dark-bodied ware wheresoever made.
Public-domain text, read in full here on John Shaqi.
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