Chinese pottery and porcelain; vol. 1. Pottery and early waresHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 1. Pottery and early wares
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
These names by no means exhaust the list of factories which were active in
the Yüan period. Others have been incidentally mentioned elsewhere under
the headings of Yüan-tz´ŭ, P´êng ware, Hsin Ting ware, etc.[373]
The _Ko ku yao lun_ enumerates certain pottery forms which, it asserts,
were not in use before the Yüan period. As usual, the Chinese descriptions
are exceedingly difficult to visualise, and in many cases are open to
several interpretations, and are not easy to reconcile with established
facts. However, I quote the passage as it stands: "Men of old when they
drank tea used _p'ieh_[374] (? bowls with curved sides), which were easy
to drain and did not retain the sediment. For drinking wine they used cups
(_chan_); they had not yet tried cups with handles (_pa chan_[375]), and
in old times they had no _ch'üan p'an_.[376] The Ting ware _ch'üan p'an_
which one sees nowadays are the brush washers (_hsi_) of olden times. The
men of old used 'decoction vases' for pouring wine, and did not use ewers
(_hu p'ing_) or bowls with contracted lip or tea cups (_ch'a chung_) or
dishes with rims.[377] These were all forms used by the Mongols. The men
of China only began to use them in the Yüan dynasty. They never appear in
old Ting or Kuan wares."[378]
FOOTNOTES:
[Footnote 340: See p. 164.]
[Footnote 341: The Memoirs of Chiang Ch´i, entitled _T´ao chi lüo_, which
were incorporated in the Annals of Fou-liang in 1322, and again in the
geographical annals of the province of Kiangsi (_Chiang hsi t´ung chih_,
bk. xciii., fol. 5 verso).]
[Footnote 342: Op. cit., pp. 178-183.]
[Footnote 343: See p. 163.]
[Footnote 344: _huang hei_, lit. yellow black or, perhaps, yellow and
black.]
[Footnote 345: _Ch´ing pai_, a term also applied to greenish white jade;
probably a pale celadon tint.]
[Footnote 346: i.e. cases in which the porcelain was fired.]
[Footnote 347: [Chinese] _yin hua_, [Chinese] _hua hua_, and [Chinese]
_tiao hua_.]
[Footnote 348: The text is [Chinese] _fa yün_, lit. "emit mist," perhaps
in the sense of "clouded."]
[Footnote 349: These are literal renderings of _hai mu_ and _hsüeh hua_,
but I have no clue to their meaning.]
[Footnote 350: The text is [Chinese] _Shua chio_, lit. "sport corners."]
[Footnote 351: [Chinese] _hsiu hua_, lit. "embroidered ornament." See p.
91.]
[Footnote 352: _yin hsiu_, lit. "silver embroidery or painting."]
[Footnote 353: [Chinese] _p´u ch´un_, which literally means "rush (or
matting) lips."]
[Footnote 354: [Chinese] _lung hsien_, lit. "play lute."]
[Footnote 355: See Giles's Dictionary.]
[Footnote 356: [Chinese]. Bushell renders it "trumpet-shaped beakers."]
[Footnote 357: Lit. "animal rings."]
[Footnote 358: Bk. vii., fols. 24 and 25.]
[Footnote 359: [Chinese] lit. "pivot palace"; i.e. Imperial palace.]
[Footnote 360: Lit. "five-coloured."]
[Footnote 361: _ch´ing hei._ Bushell renders the two words "greenish
black."]
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