Chinese pottery and porcelain; vol. 1. Pottery and early waresHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 1. Pottery and early wares
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
Hall marks on Ming porcelain are rare. There is, however, one which occurs
fairly often on late Ming porcelains of various kinds, including pieces
decorated in blue and blue and white, underglaze red, blue and enamel
colours, pierced designs and slip. This is [Chinese] _yü t´ang chia ch´i_,
"beautiful vessel for the Jade Hall."
It is improbable that the _yü t´ang_ was a factory name, as the specimens
so marked have little homogeneity. Giles's Dictionary tells us that _yü
t´ang_ is a name for the Han Lin College at Peking, which was so called
in memory of Chou Chih-lin of the Sung dynasty, upon whom the Emperor
bestowed these two characters in admiration of his qualities. From this
we might infer that the wares so marked were made for the Han Lin; but
why, one asks, in that case should the examples in our collections be so
many and so evidently of the same period? On the whole I prefer to regard
the mark as of general (and complimentary) significance, i.e. "beautiful
vessel for the home of pure worth," like another mark much affected on
late Ming porcelain _fu kuei chia ch´i_ ("fine vessel for the rich and
honourable!").
Hall marks are very frequent on the porcelains of the Ch´ing dynasty, and
enough are given below to illustrate their various forms. Many of them are
no doubt hall names of makers and decorators, and as such belong to the
category of artists' signatures.
Special interest attaches to those hall marks which have been identified
as referring to pavilions in the precincts of the Imperial palace. We are
told by Bushell[454] that the "fashion of inscribing upon porcelain made
for the Imperial palace the name of the particular pavilion for which
it was intended seems to have begun in the reign of Yung Chêng," and
observation shows that these hall marks only become frequent on the later
porcelains. In fact most of the examples with which I am acquainted are
nearer in style to the Tao Kuang than to the Yung Chêng wares, and the
majority of the hall marks written in red on the glaze will be found to be
of early nineteenth century date.
HALL MARKS
[Illustration: [Chinese] _Yü t´ang chia ch´i_ = fine vessel for the jade
hall (late Ming).]
[Illustration: [Chinese] _Yü hai t´ang chih_ = made for the Yü-hai (jade
sea) hall (about 1700).]
[Illustration: [Chinese] _Ts´ai hua t´ang chih_ = made for the hall of
bright painting (nineteenth century).]
[Illustration: [Chinese] _Ts´ai jun t´ang chih_ = made for the hall of
bright colours (nineteenth century).]
[Illustration: [Chinese] _Nan hsiang t´ang_ = south aspect hall (on
eighteenth century pottery).]
[Illustration: [Chinese] _Chih lan chai chih_ = made for the epidendrum
hall (seventeenth century).]
[Illustration: [Chinese] _Ku yüeh hsüan chih_ = made by Ku-yüeh-hsüan.
(See Vol. ii., p. 215.)]
[Illustration: [Chinese] _Yu ch´ai_ = quiet pavilion--a studio name of a
painter.]
[Illustration: [Chinese] _Wan shih chü_ = myriad rocks retreat; studio
name of a painter.]
Public-domain text, read in full here on John Shaqi.
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