Chinese pottery and porcelain; vol. 2. Ming and Ch'ing PorcelainHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
The enamelled wares are much more attractive, and many of the rice
bowls are prettily decorated in soft colours. The Peking or medallion
bowls, for instance, are little if anything below the standard of
previous reigns, and in addition to the medallions in engraved enamel
grounds of pink, green, grey, etc., outside, the interior is often
painted in underglaze blue. There are tasteful bowls with white bamboo
designs reserved in a ground of coral red, and there are dishes with
blackthorn boughs with pink blossom in a white ground. The Yung Chêng
style of underglaze blue outlines with washes of thin-transparent
enamels was also affected, but the most characteristic enamelling of
the period is executed in a mixture of transparent and opaque enamels,
a blend of _famille verte_ and _famille rose_. This colouring, soft
and subdued, but often rather sickly in tone, is frequently seen on
bowls and tea wares with Taoist subjects, such as the Eight Immortals,
the fairy attendants of Hsi Wang Mu in boats, or the goddess herself
on a phœnix passing over the sea to the _t’ien t’ang_ or cloud-wrapt
pavilions of Paradise, preceded by a stork with a peach of longevity in
its beak. The sea is usually rendered by a conventional wave pattern
delicately engraved in greenish white, and sometimes the ground of
the design is washed with the same thin, lustrous, greenish white,
which was remarked on a group of porcelains described on page 151.
The porcelain of these bowls has a white, if rather chalky, body and
a greenish white glaze of exaggerated oily sheen, and of the minutely
bubbled, “muslin-like” texture which is common to Japanese porcelains.
But the ordinary Tao Kuang wares are of poor material, greyish in tone
and coarser in grain, with the same peculiarities in the texture of the
glaze in an exaggerated degree.
[Illustration: Plate 131.--Eighteenth Century Painted Porcelain.
Fig. 1.--Plate painted in black and gold, European figures
in a Chinese interior. Yung Chêng period. Diameter 9 inches.
_British Museum._
Fig. 2.--Dish with floral scrolls in _famille rose_
enamels in a ground of black enamel diapered with green foliage
scrolls. Ch’ien Lung period. Diameter 23¼ inches. _Wantage
Collection._]
[Illustration: Plate 132.--Vase painted in mixed enamels, an
Imperial park and a bevy of ladies. _Wantage Collection._
Deep ruby pink borders with coloured floral scrolls and symbols.
Ch’ien Lung mark. About 1790. Height 30 inches.]
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