Chinese pottery and porcelain; vol. 2. Ming and Ch'ing PorcelainHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
On the same plate is a brush rest in form of a log raft, on which is a
seated figure, probably the celebrated Chang-Ch’ien, floating down the
Yellow River. The design recalls a rare silver cup of the Yüan dynasty,
which was illustrated in the _Burlington Magazine_ (December,
1912). Here the material is porcelain biscuit with details glazed and
touched with blue, and the _nien hao_ of Hsüan Tê is visible on
the upper part of the log beside two lines of poetry. Whether this
brush rest really belongs to the period indicated or not, it is a rare
and interesting specimen. Two other possible examples of Hsüan Tê blue
and white are described on p. 32.
[Illustration: PLATE 62
Barrel shaped Garden Seat: porcelain with coloured glazes on the
biscuit, the designs outlined in slender fillets of clay. A lotus
scroll between an upper band of clouds and a lower band of horses
in flying gallop and sea waves. Lion mask handles. About 1500
A.D.
Height 14¼ inches. _British Museum._]
As to the other types of Hsüan ware named in the _Po wu yao lan_,
with one exception I can find no exact counterpart of them in existing
specimens, though parts of the descriptions are illustrated by examples
of apparently later date. Thus the form of the white tea cups, “with
rounded body, convex base, and thread-like foot,” is seen in such bowls
as Fig. 1 of Plate 74, which is proved by its mount to be not later
than the sixteenth century. Other examples of these bowls will be
discussed later. They are characterised by a convexity in the centre
which cannot be shown in reproductions.
The secret decoration (_an hua_) consists of designs faintly traced
usually with a sharp-pointed instrument in the body and under the
glaze. There is an excellent example of this in a high-footed cup in
the Franks Collection which has the Hsüan Tê mark, the usual faintly
greenish glaze, beneath which is a delicately etched lotus scroll
so fine that it might easily be overlooked and is quite impossible
to reproduce by photographic methods. It is, no doubt, an early
eighteenth-century copy of Hsüan ware.
Public-domain text, read in full here on John Shaqi.
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