Chinese pottery and porcelain; vol. 2. Ming and Ch'ing PorcelainHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
Of these, the most interesting personality was Hao Shih-chiu,[156]
scholar, painter, poet, and potter, who signed his wares with the
fanciful name _Hu yin tao jên_[157] (Taoist hidden in a tea pot), to
show that he “put his soul” into the making of his pots. He lived, we
are told,[158] in exaggerated simplicity, in hut, with a mat for a
door and a broken jar for a window; but he was so celebrated as a man
of talent and culture that his hut was frequented by the _literati_,
who capped his verses and admired his wares. The latter were of great
refinement and exquisitely beautiful, and his white “egg shell”[159]
wine cups were so delicate as to weigh less than a gramme.[160] No less
famous were his red wine cups, bright as vermilion, the colour floating
in the glaze like red clouds. They were named _liu hsia chan_[161]
(_lit._ floating red cloud cups), which has been poetically rendered
by Bushell as “dawn-red wine cups” and “liquid dawn cups,” and were
evidently one of the reds of the _chi hung_ class produced by copper
oxide in the glaze, like the beautiful wine cups with clouded maroon
red glaze of the early eighteenth century. All these wares were eagerly
sought by connoisseurs throughout the Chinese empire. “There were
also elegantly formed pots (hu), in colour pale green, like Kuan and Ko
wares, but without the ice crackle, and golden brown[162] tea pots with
reddish tinge, imitating the contemporary wares of the Ch’ên family at
Yi-hsing, engraved underneath with the four characters, _Hu yin tao
jên_.”
The “red cloud” cups are eulogised by the poet Li Jih-hua in a verse
addressed to their maker as fit to be “started from the orchid pavilion
to float down the nine-bend river.”[163]
[Illustration: Plate 76.--Blue and White Porcelain. Sixteenth
Century.
Fig. 1.--Vase with monster handles, archaic dragons. Height 10⅞
inches. _Halsey Collection._
Fig. 2.--Hexagonal Bottle, white in blue designs. Mark, a hare.
Height 11½ inches. _Alexander Collection._
Fig. 3.--Bottle with “garlic mouth,” stork and lotus scrolls,
white in blue. Height 11 inches. _Salting Collection._
Fig. 4.--Vase (_mei p’ing_), Imperial dragon and scrolls.
Wan Li mark on the shoulder. Height 15 inches. _Coltart
Collection._]
Public-domain text, read in full here on John Shaqi.
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