Chinese pottery and porcelain; vol. 2. Ming and Ch'ing PorcelainHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
It will be convenient here to consider another type of decoration
which was probably in use in the early periods of the Ming dynasty,
certainly in the reign of Wan Li, and which has continued to modern
times. This is the decoration in white clay varying in thickness from
substantial reliefs to translucent brush work in thin slip or liquid
clay, which allows the colour of the background to appear through
it. The designs are painted or modelled in white against dark or
light-coloured grounds of various shades--lustrous coffee brown (_tzŭ
chin_), deep blue, slaty blue, lavender, celadon, plain white, and
crackled creamy white--and they are usually slight and artistically
executed. The process, which is the same in principle as in the modern
_pâte sur pâte_, consisted of first covering the ground with
colouring matter, then tracing the design in white slip (i.e. liquid
clay) or building it up with strips of clay modelled with a wet brush,
and finally covering it with a colourless glaze. In this case the
white design has a covering of glaze. When a celadon green ground is
used the design is applied direct to the biscuit and the celadon glaze
covers the whole, but being quite transparent it does not obscure the
white slip beneath. Sometimes, however, as in Fig. 3 of Plate 75, the
design is unglazed and stands out in a dry white “biscuit.” Elaborate
and beautiful examples of slip decoration were made in the K’ang Hsi
and later periods, and Pére d’Entrecolles, writing in 1722, describes
their manufacture, stating that steatite and gypsum were used to form
the white slip.[189] The Ming specimens are usually of heavier make
and less graceful form, and distinguished by simplicity and strength
of design, the backgrounds being usually lustrous brown or different
shades of blue. They consist commonly of bottles, jars, flower pots,
bulb bowls, dishes, and narghili bowls, and many of them were clearly
made for export to Persia and India, where they are still to be found.
On rare examples the slip decoration is combined with passages of blue
and white.
Public-domain text, read in full here on John Shaqi.
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