Chippings with a Chisel (From "Twice Told Tales")Hawthorne, Nathaniel
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Chippings with a Chisel (From "Twice Told Tales")
Hawthorne, Nathaniel
Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories
My observations gave me the idea, and Mr. Wigglesworth confirmed it,
that husbands were more faithful in setting up memorials to their dead
wives than widows to their dead husbands. I was not ill-natured
enough to fancy that women, less than men, feel so sure of their own
constancy as to be willing to give a pledge of it in marble. It is
more probably the fact, that while men are able to reflect upon their
lost companions as remembrances apart from themselves, women, on the
other hand, are conscious that a portion of their being has gone with
the departed whithersoever he has gone. Soul clings to soul; the
living dust has a sympathy with the dust of the grave; and, by the
very strength of that sympathy, the wife of the dead shrinks the more
sensitively from reminding the world of its existence. The link is
already strong enough; it needs no visible symbol. And, though a
shadow walks ever by her side, and the touch of a chill hand is on her
bosom, yet life, and perchance its natural yearnings, may still be
warm within her, and inspire her with new hopes of happiness. Then
would she mark out the grave, the scent of which would be perceptible
on the pillow of the second bridal? No--but rather level its green
mound with the surrounding earth, as if, when she dug up again her
buried heart, the spot had ceased to be a grave. Yet, in spite of
these sentimentalities, I was prodigiously amused by an incident, of
which I had not the good fortune to be a witness, but which Mr.
Wigglesworth related with considerable humor. A gentlewoman of the
town, receiving news of her husband’s loss at sea, had bespoken a
handsome slab of marble, and came daily to watch the progress of my
friend’s chisel. One afternoon, when the good lady and the sculptor
were in the very midst of the epitaph, which the departed spirit might
have been greatly comforted to read, who should walk into the workshop
but the deceased himself, in substance as well as spirit! He had been
picked up at sea, and stood in no present need of tombstone or
epitaph.
“And how,” inquired I, “did his wife bear the shock of joyful
surprise?”
“Why,” said the old man, deepening the grin of a death’s-head, on
which his chisel was just then employed, “I really felt for the poor
woman; it was one of my best pieces of marble,--and to be thrown away
on a living man!”
Public-domain text, read in full here on John Shaqi.
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