Chippings with a Chisel (From "Twice Told Tales") — John Shaqi
Chippings with a Chisel (From "Twice Told Tales")Hawthorne, Nathaniel
General
Chippings with a Chisel (From "Twice Told Tales")
Hawthorne, Nathaniel
Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories
At our next meeting I found him chiselling an open book upon a marble
headstone, and concluded that it was meant to express the erudition of
some black-letter clergyman of the Cotton Mather school. It turned
out, however, to be emblematical of the scriptural knowledge of an old
woman who had never read anything but her Bible; and the monument was
a tribute to her piety and good works, from the Orthodox church, of
which she had been a member. In strange contrast with this Christian
woman’s memorial, was that of an infidel, whose gravestone, by his own
direction, bore an avowal of his belief that the spirt within him
would be extinguished like a flame, and that the nothingness whence he
sprang would receive him again. Mr. Wigglesworth consulted me as to
the propriety of enabling a dead man’s dust to utter this dreadful
creed.
“If I thought,” said he, “that a single mortal would read the
inscription without a shudder, my chisel should never cut a letter of
it. But when the grave speaks such falsehoods, the soul of man will
know the truth by its own horror.”
“So it will,” said I, struck by the idea; “the poor infidel may strive
to preach blasphemies from his grave; but it will be only another
method of impressing the soul with a consciousness of immortality.”
There was an old man by the name of Norton, noted throughout the
island for his great wealth, which he had accumulated by the exercise
of strong and shrewd faculties, combined with a most penurious
disposition. This wretched miser, conscious that he had not a friend
to be mindful of him in his grave, had himself taken the needful
precautions for posthumous remembrance, by bespeaking an immense slab
of white marble, with a long epitaph in raised letters, the whole to
be as magnificent as Mr. Wigglesworth’s skill could make it. There
was something very characteristic in this contrivance to have his
money’s worth even from his own tombstone, which, indeed, afforded him
more enjoyment in the few months that he lived thereafter, than it
probably will in a whole century, now that it is laid over his bones.
This incident reminds me of a young girl, a pale, slender, feeble
creature, most unlike the other rosy and healthful damsels of the
Vineyard, amid whose brightness she was fading away. Day after day
did the poor maiden come to the sculptor’s shop, and pass from one
piece of marble to another, till at last she pencilled her name upon a
slender slab, which, I think, was of a more spotless white than all
the rest. I saw her no more, but soon afterwards found Mr.
Wigglesworth cutting her virgin name into the stone which she had
chosen.
“She is dead,--poor girl,” said he, interrupting the tune which he was
whistling, “and she chose a good piece of stuff for her headstone.
Now which of these slabs would you like best to see your own name
upon?”
Public-domain text, read in full here on John Shaqi.
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